Hi all, apologies for the lack of blog posts in the last few months. I’ve become a little disillusioned with social media lately and that’s meant I haven’t been posting content as frequently. I’m not sure if that’ll change too much, algorithms and the like are taking a bit of the joy out of it. When you post something and it gets half the engagement a similar post was getting a couple of years ago, despite having more than twice the number of followers, it’s a bit discouraging.
Anyway, here’s what I have been up to since summer.
Patreon. I’ve continued to work on my Patreon project – Weird Field World. There’s a bit of info about it here. I’m really enjoying fleshing out the world, adding background, history, little stories and characters. The engagement with my supporters there is great, and it’s very energising to have people to discuss the project with. You can support me here.
Inktober. I failed to finish Inktober this year. I think I just ran out of steam and enthusiasm for the project after a couple of weeks. My plan was to draw a series of little building based, loosely, on the play Under Milk Wood, by Dylan Thomas. I started off OK, but there wasn’t, perhaps, quite enough to go on for a whole month of building drawings. I think I managed 14 or 15 in the end. I was reasonably happy with most of them, and I might add one or two more at some point. A bunch of the illustrations are available to buy, so I’ll add a separate post soon.
Illustration work. This year has been a disappointment compared to last year. Working on a couple of books, plus work in a couple of magazines, some t-shirt designs and a little concept art work meant that 2018 was by far my best year for paid illustration work. 2019 by comparison has been awful. I’ve had a steady flow of private commissions this year, but no major commercial work at all. I’ve worked on concept art for a couple of clients, but both of those projects fizzled out due to publishing or financial issues. It has made me realise that I need to be much more proactive in seeking work, so in the last few weeks I’ve been getting organised. The year has ended brighter, a few little commercial projects have come in over the last two weeks, and I’ve had enquiries about a couple more.
Digital Illustration. A year or so ago I bought myself an iPad Pro and Apple Pencil, hoping to dive in to the world of digital illustration. One of the main reasons for doing so was to be able to produce super clean linework that would reproduce well in print. I have found working digitally a huge, and difficult, leap. The simple act of drawing on something other than paper, even with a matt screen protector on the iPad, has taken a huge amount of time to get used to – and there were many times when I thought it simply wasn’t going to be possible for me. The turning point was a suggestion from Rob McCallum on Twitter that I simply give up working on paper for a while, and only sketch on the iPad. It might seem like an obvious solution, but to draw digitally, and not get the results you want, for even a day was quite a task for me. Gradually, over the course of a couple of weeks things began to feel more natural. I got used to the feel of the stylus on glass, to the way digital lines worked, how to tweak brush settings to suit my way of drawing. Now, although I still have huge amounts to learn, I really do feel comfortable working on the iPad. I even enjoy it. Part of that is down to just how good the iPad and Pencil are, and how great a piece of software Procreate is. Together they are really quite formidable. Adobe and Wacom should be worried, particularly with the lacklustre release of Photoshop for iPad.
Parklife. I’ve continued to get out for walks as often as I can, if not as often as I’d like, in Bushy Park. Getting out in to the fresh air, and out in the open is hugely important for me, particularly if I’ve been stuck at my desk for a few days. I still get a thrill from seeing the variety of wildlife in the park – Red and Fallow deer, woodpeckers, kingfishers, and a huge number of other different bird species. I can’t recommend getting out in to the countryside enough. Make the effort if you can, you won’t regret it.
Reading. I’ve struggled to find moments to read this year. Not commuting in to London at all has been one factor – the only good thing about a three hour commute each day is that it gives you three guilt-free hours to read each day. Apart from that I just don’t seem to have been in the right frame of mind. Perhaps it’s a feeling of guilt – spending time reading when ideally I’d be working – even if I haven’t had the work to do this year. I’ve tried to put things right in the last month or so. I read and thoroughly enjoyed Gareth Powell’s sequel to Embers of War – Fleet of Knives. And Ann Leckie’s Provenance, set in the Imperial Radch universe she introduced us to in Ancillary Justice, was a great read. Currently I’m reading Wilding by the appropriately named Isabella Tree. It’s the story of how she and her (affluent) family set about rewilding large parts of their 1400 acre estate in Sussex.
That’s it for now. I’ll do my best to post more often. Do let me know if there’s anything in particular you’d like me to write about.
I get asked a lot about what art materials I use for my drawings and illustrations. So here’s a blog post showing exactly what I have scattered around on my desk right now. If you aren’t familiar with the kind of stuff I draw, have a browse though the blog, or have a look at my work on Instagram or Facebook.
A good pencil won’t make you any better at drawing than that rubbish one you have in your pocket from a recent trip to Ikea. An expensive brush won’t instantly turn you in to the worlds best watercolourist. That watercolour pad you splashed out on, you know the one – hand made, 100% cotton, acid-free, cold pressed – isn’t going to make your drawings and paintings any better than if you were drawing on a Post-It note – unless you practice, unless you draw and draw and draw. New art materials are great, but they aren’t a short cut to being great at art, because there isn’t a short cut to being great at art. You just have to draw. Draw the stuff you love, draw the things you find difficult, set yourself some challenges, but most importantly just bloody well draw.
Now to the inky, graphitey stuff…
Pencils (from top to bottom)
Staedtler Tradition, from 3H to 3B
Staedtler Mars Lumograph, 3H and 3B
Palomino Blackwing 602, not sure of the hardness – maybe a B?
Faber-Castell 9000, HB and 2B
Pentel Graphgear 1000 0.7mm By far my favourite mechanical pencil to use.
Copic Multiliner SP, 0.03 to 0.7 thickness nibs (my favourite technical pens)
Rotring Tikky Graphic, 0.3 to 0.7
Staedtler Pigment Liner, 0.05 to 0.8
Brush Pens and Nib Pens
Copic Ciao Markers (lots of them, particularly orange ones)
Sakura Gelly Roll Glaze Pen (opaque white)
Bits and Pieces
Cheap brush for clearing loose graphite or eraser bits
Toothbrush (an old one) for splattering paint or masking fluid
Goldline A3 Layout Pad (the big yellow one)
Daler Rowney A4 Tracing Pad (the grey one)
Daler Rowney A4 Smooth Heavy Weight Cartridge Pad (the pink one)
Daler Rowney A4 Bristol Board (the green one)
Daler Rowney A4 Fine Grain Heavy Weight Cartridge Pad (the brown one)
A3 Minisun LED Lightbox – essential for tracing and refining sketches
Life-size human skull model – reference to die for
As I said before, nothing on this blog post will make you draw any better, that’s up to you. Now, stop reading, and draw!
Usually if I wake up early I just lay there wishing I could go back to sleep. Today, at 5.15am, I decided to get up and go for a walk in the park. Proved to be a pretty marvellous idea as I got there before it became inundated with joggers and dog walkers.
The park – Bushy Park – is just a couple of minute’s walk from my house, and I feel very privileged to have it so close by. It’s a Royal Park, set up by Henry VIII for his hunting requirements and its oak trees were used to build ships for his naval fleet.
It’s a varied landscape, acid grasslands, acres of Yellow Meadow Ant anthills, open oak woodland – as well as lots of later ornamental landscaping put in place by Charles I and later monarchs. There are herds of Red and Fallow Deer, Green and Greater Spotted Woodpeckers, and an abundance of other birds. This morning I watched a Sparrow Hawk circling and a male Kestrel perched on a branch with its prey. Getting out of bed early has really set me up for the day.
Anyone who reads my blog knows that I’m a bit of a space nut. I’ve always been fascinated by space, astronomy, astrophysics… and to be honest I’d still like to be an astronaut.
2019 marks fifty years since the first moon landing, when Eagle the lunar lander of Apollo 11 touched down. To commemorate that historic moment, and because I just love everything about the Apollo missions, I’ve created a couple of posters.
The first, Twelve Human Hearts, celebrates the humans to have stepped on the surface of the moon. It’s a huge shame that nobody has been back since Apollo 17.
The second poster, F-1, marks the power and brilliance of the Rocketdyne F-1 engine that powered the Saturn V rocket.
Both posters are available from Ellipress. You can also get them as postcards.
Hi all. Over the next few months I’m going to publish some guest posts here on the blog. I’ve asked a bunch of people over on Twitter and the response has been great. There’ll be posts from established illustrators, 3D modellers, comic artists, video game concept artists, book cover illustrators… It should be lots of fun and a bit of a change from my usual posts. If there’s a type of creative person you’d like me to feature on the blog just let me know in the comments.
I’ve started a Patreon page. If you don’t know of Patreon –
For creators, Patreon is a way to get paid for creating the things you’re already creating (webcomics, videos, songs, whatevs). Fans pay a few dollars per month OR per post you release, and then you get paid every month, or every time you release something new.
Currently I make a living dividing my time between being a freelance graphic designer, and being an illustrator. My income from illustration breaks down in to Commercial work – like book illustration or video game concept art, Private commissions – selling original art to order, or by selling prints and postcards of my work. These are all great outlets for my work, but it’s hard to predict how busy I’ll be with commissions at any one time, or if I’ll receive any commercial work.
Starting a Patreon page should give me a small, but regular monthly income from my art. It may be enough to buy some art materials, it might be enough to pay some bills. I’ve really no idea yet, but every little helps.
Here’s how it works.
My Patreon page will feature only my work on Weird Field World – that’s all the strange knobbly spaceships I draw.
If you want to become a Patron, and to support my work you can choose from three tiers of membership.
$2 per months gets you access to –
$4 per month gets you all of the above plus –
$6 per months gets you all of the above plus –
Regular content for all subscribers will be sketches and final illustrations, background writing on the universe including a timeline and history of the story, maps and charts, technical drawings of spaceships, and I will also be writing some fiction to accompany the drawings.
If you’re interested in supporting me in this way, head over to my Patreon page for a look. Patronage starts at just $2 per month.
I started a little sketch lately. Nothing more than a doodle really. Started off as nothing on a sheet of copy paper. Wasn’t sure what it was going to be, if anything. But after a few minutes I had a bit of machinery. So I thought I’d carry on. Definitely channeling a little of Geof Darrow’s work on The Matrix, and Katsuhiro Otomo’s Akira, I decided that I’d try and fill the whole page with machinery and cables and wires.
It took a while. But I got there in the end. Here are a few process shots…
Once I’d finished the pencils, I decided I’d scan the illustration, blow it up and print it out, and then drop it on the lightbox for inking. I wanted to go a little larger when I inked it just so I could get a little more detail in, and to make sure the quality was good enough for a print for my store.
The final inked illustration looks like this…
At the top of the page you can see the colour version I’m working on to be produced as a print.
If you’re interested in the materials I used in this piece…
I have a new print available over at Ellipress. It’s a follow up to my Deep Space Fleet work of last year. Deep Space Fleet II features fifty brand new spaceships, in (for me) a surprising variety of colours! Printed on 308gsm 100% cotton artist’s paper, using archival inks the new poster can be bought in A4, A3, and A2 sizes.
I’m really pleased with how it’s turned out. It might be my favourite print yet.
Head over to here if you’d like to purchase one.