this northern boy

Illustrations for an imaginary age

Patronage

First-Five

I’ve started a Patreon page. If you don’t know of Patreon –

For creators, Patreon is a way to get paid for creating the things you’re already creating (webcomics, videos, songs, whatevs). Fans pay a few dollars per month OR per post you release, and then you get paid every month, or every time you release something new.

Currently I make a living dividing my time between being a freelance graphic designer, and being an illustrator. My income from illustration breaks down in to Commercial work – like book illustration or video game concept art, Private commissions – selling original art to order, or by selling prints and postcards of my work. These are all great outlets for my work, but it’s hard to predict how busy I’ll be with commissions at any one time, or if I’ll receive any commercial work.

Starting a Patreon page should give me a small, but regular monthly income from my art. It may be enough to buy some art materials, it might be enough to pay some bills. I’ve really no idea yet, but every little helps.

Here’s how it works.

My Patreon page will feature only my work on Weird Field World – that’s all the strange knobbly spaceships I draw.

If you want to become a Patron, and to support my work you can choose from three tiers of membership.

$2 per months gets you access to –

  • Regular posts including illustrations, background, and fiction.
  • Access to sketches and process videos as I work on the project.
  • Early opportunity to buy original illustrations.
  • Digital exclusives – like desktop or phone wallpapers.

$4 per month gets you all of the above plus – 

  • One original Weird Field World sketch per year.
  • A set of three postcards featuring WF spaceships.

$6 per months gets you all of the above plus – 

  • Choose the name of a Weird Field World spaceship (which will become canon in the universe) and receive a colour sketch of that ship.

Regular content for all subscribers will be sketches and final illustrations, background writing on the universe including a timeline and history of the story, maps and charts, technical drawings of spaceships, and I will also be writing some fiction to accompany the drawings.

If you’re interested in supporting me in this way, head over to my Patreon page for a look. Patronage starts at just $2 per month.

 

You can also find prints of my work here

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Machineries of Joy

gubbins-i-colour

I started a little sketch lately. Nothing more than a doodle really. Started off as nothing on a sheet of copy paper. Wasn’t sure what it was going to be, if anything. But after a few minutes I had a bit of machinery. So I thought I’d carry on. Definitely channeling a little of Geof Darrow’s work on The Matrix, and Katsuhiro Otomo’s Akira, I decided that I’d try and fill the whole page with machinery and cables and wires.

It took a while. But I got there in the end. Here are a few process shots…

Once I’d finished the pencils, I decided I’d scan the illustration, blow it up and print it out, and then drop it on the lightbox for inking. I wanted to go a little larger when I inked it just so I could get a little more detail in, and to make sure the quality was good enough for a print for my store.

The final inked illustration looks like this…

Final-Inks

At the top of the page you can see the colour version I’m working on to be produced as a print.

If you’re interested in the materials I used in this piece…

Pentel GraphGear 1000 mechanical pencil
Daler Rowney Heavyweight cartridge paper
Copic SP Multiliner pens
A3 Minisun lightbox

 

You can also find prints of my work here

I also have a Patreon page

And you can find more of my work online…
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NEW PRINT AVAILABLE

Deep Space Fleet II

I have a new print available over at Ellipress. It’s a follow up to my Deep Space Fleet work of last year. Deep Space Fleet II features fifty brand new spaceships, in (for me) a surprising variety of colours! Printed on 308gsm 100% cotton artist’s paper, using archival inks the new poster can be bought in A4, A3, and A2 sizes.

I’m really pleased with how it’s turned out. It might be my favourite print yet.

Head over to here if you’d like to purchase one.

 

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A Frosty Walk

Winter seems to have finally arrived in the UK, nothing compared to the polar vortex currently plunging much of the US in to a deep freeze, and I managed to get myself out of bed early and in to my local park for a walk this morning. Bushy Park, one of the Royal Parks of London, is beautiful at any time of year but with a hard frost under clear skies it’s absolutely spectacular. These photos are taken with either my iPhone 8 or Olympus Pen.

 

 

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Spaceship Drawing Time-lapse

I’m planning to do a lot more process videos this year. I’ll have to get a proper rig set up above my desk, rather than just using a GorillaPod.

 

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Commissions for 2019

IMG_1857

I’m now happily accepting a new round of illustration commissions for 2019. If you’ve ever wanted to own some original art – and like my work – now’s your chance.

Commissions

If you would like to buy an original drawing, email me at rob [at] thisnorthernboy [dot] co [dot] uk , and let me know what kind of thing you are looking for. While you can ask me to draw absolutely anything, it’s probably best to stick to subjects and themes that you’ve seen me produce already. I’m not saying I’d never draw a portrait of your cats, for instance, but it’s unlikely. Some subjects I love to draw are:

Isometric buildings
Robots
Astronauts
Spaceships
Imaginary places

What you’ll receive will be a black and white pen drawing, on good quality, 220gsm cartridge paper. If you would prefer a colour illustration – let me know and we can have a chat.

You can also request for the illustration to be landscape or portrait in orientation.

Any other requests – type of landscape, style of robot etc. can be made, but there’s no guarantee I’ll be able to take this into account. I know this sounds a little strict, but I only want to accept commissions that I’ll enjoy drawing right now, and in return you get a lovely surprise when you open your finished illustration.

What will this cost?

For an A5 (148 x 210mm) commission I charge £75 + post & packaging.
For an A4 (210 x 297mm) commission I charge £120 + post & packaging.
For an A3 (297 x 420mm) commission I charge £210 + post & packaging.
For an A2 (420 x 594mm) commission I charge £400 + post & packaging.

When you email me to request a commission, if you can include the address you’d like it shipped to, I’ll work out the cost of postage and let you know. If you’re happy with the overall cost I accept payment by PayPal.

When will you get your drawing?

I aim to complete and post all illustrations within one month of receiving payment.

 

PLEASE NOTE: This post is regarding private, personal commissions. If you want to discuss a commercial proposition – illustrations for a book, game, or anything else that you would be selling, then please get in touch directly.

 

You can also find prints of my work here

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‘Weird-Field’ Spaceships

‘Weird-Field’ Spaceships. That’s what I’m calling them. I’ve been toying with the idea of drawing some spaceships for a while that don’t use standard means of propulsion, or even non-standard. I wanted to draw a spaceship that looked weird, as if the means of its technology were slightly other-worldly. I came up with an idea of a set of machinery that manipulates some exotic fields in dimensions we don’t understand, to create drive. Maybe these were alien ships, maybe just something human, but far future. It was lots of fun trying to figure out some narrative to all this as was sketching. Eventually, after a bunch of doodles, I worked up a few of the ships in to a more finished form.

 

Weird-Field Spaceships – a brief history (part 1)

The first set of instructions was received in May of 2089. After a period of disbelief, skepticism and blame, it was the scientists who finally knuckled down to decipher the message. Written in a slightly abstracted form of Base-7, this didn’t take too long and the content of the message became clear.

Earth had picked up a broadcast for a set of instructions on how to build a spaceship. By the time the UN, various organisations, and the couple of dozen governments capable of building the ship had finally decided on a course of action to build it, South Africa had already done so.

The first completed ship, christened the Mandela, was a bizarre conglomeration of pipes, cells, and pods, surrounding a crew capsule built for seven. There was zero space for any cargo bar moderate supplies for the crew.

After extensive ground tests, which revealed almost nothing about the ship, the Mandela took off for the first time in early 2090. A shakedown flight proved the ship to be an intuitive and capable flyer, after which the initial mission was launched.

During this time various governments and agencies attempted to build another ship from the same instructions. All failed. Design and manufacture were checked and rechecked, scientists from the successful Mandela construction were brought in to no avail. The ships simply sat there, inert. All attempts to coax them in to life failed. The South African team began construction of a second ship from the same instructions, to be called Biko, but after several months found the same problem as all the other teams. The Biko simply sat in its construction bay, refusing to do anything at all.

Earth now had one functioning spaceship that was able to journey to Saturn in a single flight. The data it brought back was invaluable in research terms, but from a practical point of view – apart from some minor advances in material sciences – the alien instructions had brought little to the people of Earth.

Eighteen months after the failed attempt to build the Biko, another message was received. This time there wasn’t just one set of instructions, but three. The three spaceships were all totally different from each other, and from the Mandela. The only similarity was in the style and construction of the weird pods, capsules, modules, and nacelles. One of the ships was huge, measuring over 120m from tip to tip, yet only had room for a crew of one. The next was a similar size to the Mandela, but room for a crew of four and a large storage area that seemed to be made for cargo. The third ship was smaller than all the others, had two identical crew compartments, each with seating for one, and had a very small cargo compartment.

If there was method or design to the types of ship instructions being beamed to earth, nobody had manage to figure it out yet.

The three ships were to be built, instructed by the UN, by China, the US, and the EU. No other agencies, corporations or governments were permitted to attempt to build ships. This obviously didn’t stop rogue building projects starting up. Some were discovered and shut down, some were only rumoured, and some weren’t discovered until it was too late.

Of the three official ship-building projects, two were successful. The EU, and China both managed to produce working ships, almost identical in operation to the Mandela, but with slightly different performance figures. The US attempt to build a ship failed. Nothing seemed amiss during construction, but once completed the ship simply sat inert in its berth. Scientists from South Africa who had successfully built the Mandela, and failed with the Biko consulted with the US, but nothing was found that could explain the dead ship. Until a few weeks later when a new ship, launching out of Russia, was observed. It was identical in design to the ship the US was had built – but it was obviously successful. Once the diplomatic incident had died down the scientific consensus seemed to be that there was something inherently unique about the way the ships manipulated Space/Time, and that meant only one of each specific ship could be built. The way each ship interacted with whatever weird dimensions, forces and fields provided propulsion, seemed to prevent that exact configuration being used elsewhere. There was much discussion about whether or not this effect was proximity based. Would the Biko work if the Mandela was far enough away? The answer to that, after extensive tests, was no. After sending the Mandela out past the orbit of Neptune, testing of the Biko commenced – and it still just sat there like an expensive rock.

Over the next eighty years, at intervals which were as random as could possibly be established, the instructions for another 317 spaceships were received on Earth. Sometimes the messages included instructions for up to a dozen ships, sometimes the instructions were for a single ship. Eight sets of instructions were received in 2099 for what were obviously interplanetary communications relays. Looking like small ships these provided a massive boost to the speed and bandwidth available for human communications between the planets.

More to come.

Drawn, as usual, on A4 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

I’ll be expanding on my Weird Field world over on my Patreon page.

You can also find prints of my work here

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Mortal Engines: Original Art Sale

If you’ve read my earlier post you’ll know that I worked on The Illustrated Guide to Mortal Engines during the summer. Now that the book is out, and the film has had its world premiere, I thought it would be good to make some of my original drawings available to buy.

The illustrations below all feature in the book, and are hand drawn in ink on cartridge paper. The size of the illustrations, and in some cases the paper varies as multiple illustrations were sometimes drawn on a single sheet. If you are interested in buying an illustration then you can message me on Twitter or Instagram, or drop me an email – rob [at] thisnorthernboy [dot] co [dot] uk

Please note: © Rob Turpin, 2018. These original artworks may not be reproduced in any way without the prior written permission of Scholastic Limited. All rights reserved.

I’m happy to answer any questions you have about the illustrations.

 

Mortal Engines

I was asked earlier this year to work on some illustrations for The Illustrated World of Mortal Engines. The book is a visual guide of the world of Traction Cities, created by the author Philip Reeve, and written by Philip and Jeremy Levett. If you don’t know about Traction Cities, you should definitely check out Philip’s books. They’re a fantastic mix of science fiction, fantasy and steampunk.

The Illustrated World has work from seven different artists (including me, which I have to keep pinching myself to believe), and has been beautifully put together by Jamie Gregory over at Scholastic UK. The book, underneath its dust cover, is a beautiful, vibrant orange, embossed with a lovely motif of gears and cogs.

Philip and Jeremy have written a great A-Z of the book, which gives you a very good idea of the content.

The other artists in the book are: Aedel Fakhrie, Ian McQue, Maxime Plasse, Philip Varbanov, David Wyatt, and Amir Zand. I’ve been a massive fan of Ian and Amir’s work for bloody ages, and the other artists work a revelation! To be in the same book as them all is a huge honour.

You can buy the book here.

 

All my illustrations are drawn with Copic SP Multiliners, Rotring Tikky, and Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

You can find prints of my work here

And you can find more of my work online…
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Inktober for sale!

If you read my last post you’ll know I took part in this year’s Inktober project. Now the month is over, and I managed 25 of the 31 days, I’m making the illustrations available to buy.

Based on British folklore each drawing is a little over two inches square, on A6 (105mm x 148mm) paper. The illustrations are £50 each including UK postage (overseas is a little extra).

Have a look at the images below and if you’d like to buy one drop me an email – rob@thisnorthernboy.co.uk.

Each illustration is drawn with Copic SP Multiliners and a Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

You can find prints of my work here

And you can find more of my work online…
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Buy Me a Coffee at ko-fi.com