this northern boy

Illustrations for an imaginary age

Tag: thisnorthernboy

Mortal Engines: Original Art Sale

If you’ve read my earlier post you’ll know that I worked on The Illustrated Guide to Mortal Engines during the summer. Now that the book is out, and the film has had its world premiere, I thought it would be good to make some of my original drawings available to buy.

The illustrations below all feature in the book, and are hand drawn in ink on cartridge paper. The size of the illustrations, and in some cases the paper varies as multiple illustrations were sometimes drawn on a single sheet. If you are interested in buying an illustration then you can message me on Twitter or Instagram, or drop me an email – rob [at] thisnorthernboy [dot] co [dot] uk

Please note: © Rob Turpin, 2018. These original artworks may not be reproduced in any way without the prior written permission of Scholastic Limited. All rights reserved.

I’m happy to answer any questions you have about the illustrations.

 

Mortal Engines

I was asked earlier this year to work on some illustrations for The Illustrated World of Mortal Engines. The book is a visual guide of the world of Traction Cities, created by the author Philip Reeve, and written by Philip and Jeremy Levett. If you don’t know about Traction Cities, you should definitely check out Philip’s books. They’re a fantastic mix of science fiction, fantasy and steampunk.

The Illustrated World has work from seven different artists (including me, which I have to keep pinching myself to believe), and has been beautifully put together by Jamie Gregory over at Scholastic UK. The book, underneath its dust cover, is a beautiful, vibrant orange, embossed with a lovely motif of gears and cogs.

Philip and Jeremy have written a great A-Z of the book, which gives you a very good idea of the content.

The other artists in the book are: Aedel Fakhrie, Ian McQue, Maxime Plasse, Philip Varbanov, David Wyatt, and Amir Zand. I’ve been a massive fan of Ian and Amir’s work for bloody ages, and the other artists work a revelation! To be in the same book as them all is a huge honour.

You can buy the book here.

 

All my illustrations are drawn with Copic SP Multiliners, Rotring Tikky, and Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

 

You can find prints of my work here

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Inktober for sale!

If you read my last post you’ll know I took part in this year’s Inktober project. Now the month is over, and I managed 25 of the 31 days, I’m making the illustrations available to buy.

Based on British folklore each drawing is a little over two inches square, on A6 (105mm x 148mm) paper. The illustrations are £50 each including UK postage (overseas is a little extra).

Have a look at the images below and if you’d like to buy one drop me an email – rob@thisnorthernboy.co.uk.

Each illustration is drawn with Copic SP Multiliners and a Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

You can find prints of my work here

And you can find more of my work online…
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Buy Me a Coffee at ko-fi.com

If I had a hammer…

I do love a good bit or Norse Mythology. Thor and Odin, Asgard and Midgard, Huginn and Muninn… So when Gareth asked me to illustrate Yggdrasil, the World Tree that connects the nine realms, I jumped at the chance.

I was really pleased how this turned out.

Yggdrasil

Drawn, as usual, on A4 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

You can also find prints of my work here

And you can find more of my work online…
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Buy Me a Coffee at ko-fi.com

Quiet, but not idle.

Well, I’ve been a bit quiet lately, sorry. I haven’t been idle though, I’ve been busy working on a couple of illustration projects.

I’ve just completed a tutorial for 3DTotal publishing. They have a new book coming out – Beginner’s Guide to Sketching: Robots, Vehicles & Sci-fi Concepts, and I was delighted to be asked to contribute a walk through of how I’d illustrate a sci-fi habitat in my isometric style. The book isn’t out until February next year, but you can pre-order it here.

The project that’s kept me very busy for the last couple of months has been a real thrill. Jamie Gregory, head of design at Scholastic UK, asked me if I’d be happy to do some illustrations for a new visual guide to the world of Philip Reeve’s Mortal Engines books. The book is to be an encyclopaedia of all the incredible things to be found in Philip’s books – the first of which is being turned in to a film by Peter Jackson. Other artists working on the book include Ian McQue and Amir Zand – both artists whose work I absolutely adore.

If you haven’t read any of Philip’s books – you really should have a look.
The description for Mortal Engines –

In a dangerous future, huge motorized cities hunt, attack and fight each other for survival. As London pursues a small town, young apprentice Tom is flung out into the wastelands, where a terrifying cyborg begins to hunt him down. MORTAL ENGINES launched Philip Reeve’s brilliantly-imagined creation, the world of the Traction Era, where mobile cities fight for survival in a post-apocalyptic future.

You can buy Mortal Engines here.

You can pre-order the Illustrated World of Mortal Engines here.

IWOME

The trailer for the film looks pretty bloody brilliant too.

 

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Sketchbook Spaceships

If you’ve been following my blog for a while (or following me elsewhere on social media), you’ll know I love to draw spaceships. I always have enjoyed drawing everything to do with space, ever since I was a little kid, but in the last couple of years I’ve begun to build a little fleet of ships to inhabit my Asteroid Belt Blues universe.

I’ve managed to fill a few sketchbook pages with ships in the last few days, and I dare say there will be a lot more to come in the next days, weeks, and months.

Pretty much all of them are drawn with Copic Sp Multiliners in a Moleskine sketchbook. Colour, as always, is added with Copic Ciao Markers.

If you like them you can buy them as postcards or posters over at my store.

You can find prints of my work here

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Instagram Competition!

If you are a user of Instagram I’m running a little competition over there at the moment. Head over to my profile for a chance to win the print of your choice and an original sketch.

Please note this is Instagram only, so please don’t comment here.

Instagram Comp

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The All Father

Odin-final-inks

I was recently asked to draw Odin, the Norse god, for a commission. After a few tweets back and forth, between myself and the buyer, it was decided that a head shot of Odin, featuring his raven familiars – Huginn and Muninn – would work best.

I decided I’d try and make this illustration a little more graphic in composition, so right from the beginning I wanted to try and incorporate some Norse carving.

IMG_4990.JPG

I’m really pleased with how the final illustration came out. I think the details, shadows and textures work really well. Tim, the chap who commissioned the illustration, was pretty pleased too – which is great, and always a relief.

Drawn, as usual, on A5 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

You can also find prints of my work here

And you can find more of my work online…
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Buy Me a Coffee at ko-fi.com

An Ent of Fangorn Forest

Ent-Final

I’ve just started re-reading Tolkien‘s Lord of the Rings again – partly just because it’s brilliant and I always enjoy it, but also because myself and Jon Elliman are making a feature of it on our weekly (mostly) podcast – North v South.

The moment I started thinking about reading the book again, I had the urge to start drawing some of the creatures from it. I started with one of my favourite Tolkien creations – an Ent.

Described in the books as…

A large Man-like, almost Troll-like, figure, at least fourteen foot high, very sturdy, with a tall head, and hardly any neck. Whether it was clad in stuff like green and grey bark, or whether that was its hide, was difficult to say. At any rate the arms, at a short distance from the trunk, were not wrinkled, but covered with a brown smooth skin. The large feet had seven toes each. The lower part of the long face was covered with a sweeping grey beard, bushy, almost twiggy at the roots, thin and mossy at the ends. But at the moment the hobbits noted little but the eyes. These deep eyes were now surveying them, slow and solemn, but very penetrating.

They are lots of fun to draw. Trying to convey all that texture and age is a really nice challenge.

 

 

Which Tolkien creature should I draw next?

You can find prints of my work here

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Buy Me a Coffee at ko-fi.com

Available for Commissions

Instagram-Commission-Poster

I’m currently available for commissions, so if you’ve always wanted some original art now’s a great time to get in touch. Commissions start at £60 + postage, and I ship world wide. Whether you want a robot, a spaceship, a creature, an isometric building, a floating island, or something completely different, I’d love to work with you on a commission.

You can leave a comment here on my blog, or drop me an email – rob [at] thisnorthernboy [dot] co [dot] uk

You can also find prints of my work here

And you can find more of my work online…
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