this northern boy

Illustrations for an imaginary age

Tag: pigma micron

His Art Materials

I get asked a lot about what art materials I use for my drawings and illustrations. So here’s a blog post showing exactly what I have laying around on my desk right now. If you aren’t familiar with the kind of stuff I draw, have a browse though the blog, or have a look at my work on Instagram or Facebook.

But first…

A good pencil won’t make you any better at drawing than that rubbish one you have in your pocket from a recent trip to Ikea. An expensive brush won’t instantly turn you in to the worlds best watercolourist. That watercolour pad you splashed out on, you know the one – hand made, 100% cotton, acid-free, cold pressed – isn’t going to make your drawings and paintings any better than if you were drawing on a Post-It note – unless you practice, unless you draw and draw and draw. New art materials are great, but they aren’t a short cut to being great at art, because there isn’t a short cut to being great at art. You just have to draw. Draw the stuff you love, draw the things you find difficult, set yourself some challenges, but most importantly just bloody well draw.

Now to the inky, graphitey stuff…

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Pencils (from top to bottom)

Staedtler Tradition, from 3H to 3B

Staedtler Mars Lumograph, 3H and 3B

Palomino Blackwing 602, not sure of the hardness – maybe a B?

Faber-Castell 9000, HB and 2B

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Technical Pens

Copic Multiliner SP, 0.03 to 0.7 thickness nibs (my favourite technical pens)

Rotring Tikky Graphic, 0.3 to 0.7

Staedtler Pigment Liner, 0.05 to 0.8

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Brush Pens

Faber-Castell Pitt artist pen

Sakura Pigma Brush

Pentel Pocket Brush (my favourite brush pen)

Kuretake No 8 Brush Pen

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Calligraphy / Nib Pens

Rotring Art Pen

Kuretake Nib Holder and Kuretake G Pen nib

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Coloured Pens

Copic Ciao Markers (lots of them, particularly orange ones)

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Miscellaneous Pens

Edding Gold Paint Marker

Stabilo Point 88 Fineliner

Sharpie Twin Tip Marker

Sakura Gelly Roll Glaze Pen (opaque white)

Lamy Scribble Mechanical Pencil

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Bits and Pieces

Swann Morton Scalpel Blades, 10A

Swann Morton Scalpel

Steel Rule, 300mm and 500mm

Faber-Castell Eraser

Faber-Castell Sharpener

Cheap brush for clearing loose graphite or eraser bits

Toothbrush (an old one) for splattering paint or masking fluid

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Bottled Things

Higgins Black Magic Waterproof Ink

Kuretake Sumi Ink

Winsor & Newton Masking Fluid

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Paper

Goldline A3 Layout Pad (the big yellow one)

Daler Rowney A4 Tracing Pad (the grey one)

Daler Rowney A4 Smooth Heavy Weight Cartridge Pad (the pink one)

Daler Rowney A4 Bristol Board (the green one)

Daler Rowney A4 Fine Grain Heavy Weight Cartridge Pad (the brown one)

Caveat

As I said before, nothing on this blog post will make you draw any better, that’s up to you. Now, stop reading, and draw!

 

You can find prints of my work here

I also have a Patreon page

And you can find more of my work online…
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Steampunk Spaceship

My most recent commission was for a spaceship, with some steampunk influences. I wanted to keep it very much like one of my spaceships though, so it’s kind of an amalgam of my asteroid belt clippers, and some weird alt-history Victorian airship.

I’m pretty happy with the way it turned out, it was one of those rare illustrations that just flows nicely all the way from initial doodles right through to the final ink.

Finished Steampunk Spaceship.

Finished Steampunk Spaceship.

Work in progress.

Work in progress.

Initial sketch.

Initial sketch.

A lone spaceship…

It’s been a while since I drew a spaceship, so it was fun to create this little one-man flyer. I think it’ll get some colour in the next few days – probably orange.

One-man flyer.

One-man flyer.

The Stones…

Inspired by Linda Thompson‘s song “Nine Stone Rig”…

I’ve been drawing standing stones. Part neolithic, part Lord of the Rings.

Drawing of standing stones

Nine Stone Rig

Drawing of a rock formation

The Stones

Tentacles

One of the recurring themes of my droids has to be tentacles. I don’t know why but I do love drawing a nice set of tentacles (no sniggering at the back). I quite like drawing octopus and squid too, so it’s not just droids.

There’s definitely a weird hybrid of jellyfish and octopus going on in most of these, with hints of The Matrix and The Empire Strikes Back.

 

The Mechs of Mars

Sometimes, when I post my droid pictures on my Tumblr blog, I write a little accompanying text. Sometimes this is just a quick one line description of the droid, or how I’ve drawn it, but sometimes I write a description that hints at a future history of these droids.

Air Defence Drone

Air Defence Drone

Air Defence Drone.
Designed and built in ‘74 by Kinetic Energy Systems Inc., the A.D.D. first saw use in the defence of the Olbers way station on Ceres. Shipping with both an Atlas-class Railgun and a Sigma-rated Plasma Cannon, the A.D.D. is a very capable weapon. With an onboard A.I. of .08 Human Analog, the drones can be deployed and then forgotten on the battlefield as they calculate the best way to achieve their orders. Currently the onboard A.I.s have recorded only one psychotic failure [see History of Belt-Mars Conflict: Vol VI: Ch 8.1 Brodsky].

Or…

Heavy Compliance Unit.
Built by Hurricane Industries for Law Enforcement, Riot Control, Crowd Suppression and Compliance. Strong and agile, with a high category A.I., the H.C.U. is equipped with both lethal and non-lethal tactical weapons, including: Low Velocity Kinetics, Tasers, Sonic Cannon, Microwave Lasers and standard MKIV mobile Rail Gun.

And…

Martian Eddie.
Eddie was built as a general purpose droid in late ‘78 and was shipped to Mars that same year to work for the Terraforming Committee. After 8 years of hard work, Eddie was sold to the owner of an algae farm in the new northern ocean. The algae farmer didn’t see robot rights as important and didn’t treat Eddie with much care or attention. In early ‘90 tax officials visiting the farm found no trace of its original owner, discovering Eddie in charge of operations. The ensuing legal case saw Eddie evicted and from that point on his antipathy to human kind was fixed. During the next decade Eddie could be found at most of the major flare-ups between humans and robots. The last anyone saw of Eddie was during the Tharsis Rebellion of ‘08 where he was seen at the heart of the robot offensive, brandishing his favoured plasma cannon as the Phobos Space Elevator came crashing down.
Rumours of Eddie’s survival have persisted, even though it’s now nearly 30 years seen he was seen. These rumours have been strenuously denied by the Human government of Mars.

I love the vague, hinted at history of far future conflicts hinted at in these descriptions. I don’t think I’ll ever write all the connecting information, better to allow people to fill in the gaps themselves. I do have a rough framework of a timeline in my head, although I’m scared to write it down in case it ties me down to a particular set of events.

I like to draw the droid, and then just see what suggests itself. That way I can be surprised too.

Of Steel and Bone…

One of the many responses I had to my blog post A Crisis of Confidence was a very thoughtful one from Daniel Benneworth-Gray. One of Daniel’s many insightful points was that one way of getting over my frustration would be to invite people to tweet a micro-story for me to illustrate.

Obviously, the first person I asked was Daniel, and he didn’t disappoint…

Daniel's micro-story.

Daniel’s micro-story.

Working to someone else’s idea was liberating, and challenging. Luckily for me Mr Benneworth-Gray’s words are always damn fine and well considered, which made my job of illustrating so much easier.

As soon as I read the tweet I had a pretty clear idea of what I wanted to do. I had the idea of a normal family staring up at a huge giant robot, that was, in turn, staring right back at them. There was a definite ‘The Iron Man’ thing going on here (the book, not the film or the superhero).

The result of Daniel's micro-story

The result of Daniel’s micro-story

The point Daniel made, about the fact that I hadn’t been illustrating – just drawing, was right. Interpreting somebody else’s words and ideas is a completely different challenge to just opening a sketchbook and making something up. It’s easier in some ways, and much harder in others. It is very worthwhile, and even if I don’t take this approach with all my future robots (110 to go), I’ll definitely give it a go from time to time, especially if I’m in a rut.

Huge thanks to Daniel for the idea, advice and encouragement. If you aren’t already following him on Twitter, or Instagram, I suggest you rectify that immediately. His blog is always a joy to read too.

Size Matters

Bigger is better. Or so they say. Particularly in Texas I believe.

When it comes to my work, I’ve never been into ‘big’. My work tends to be small, tightly controlled, detailed – rather than expressive and sprawling. I’ve recently begun working much smaller though, as way of getting more ideas down on paper – rather than worrying too much about the finished product. Some of these little doodles will stay just that, but a few of them may become something else at a later date. Redrawn at a larger scale, details added, lines refined – all the while trying to keep the essence of what it was I liked about the doodle in the first place.

All the following drawings were done in pen, so no pencil or rubbing out, and were begun with almost no thought in mind as to what the aim was. In terms of scale, the largest of these little doodles is about 25mm high.

Mechs, probes, flyers…

Mechs, probes, flyers…

Flyers, skiffs, speeders…

Flyers, skiffs, speeders…

Low altitude flyers

Low altitude flyers

Multi-legged mechs

Multi-legged mechs

Some kind of hovering probe

Some kind of hovering probe

Three-legged mech and pilot

Three-legged mech and pilot

Heavy transport flyer

Heavy transport flyer

Stubby little speeder

Stubby little speeder

One-man flyer

One-man flyer

These were all drawn using a 0.1 or 0.2 Staedtler Pigment Liner, on bristol board.

It’s good fun drawing at this scale. There’s no room for obsessing over details, you just have to get in there and create some forms and hint at structure. They have bags of character at this scale too – the challenge will be to capture that if I work these up into full-scale illustrations.

Ghost in the Shell

The title of this post will mean next to nothing for almost everyone, unless you happen to be a fan of Japanese Manga/Anime.

As part of my Droid a Day project I’ve asked people to suggest a droid or robot from film or TV, my latest illustration – number 201 – is one of those.

This is Tachikoma…

Tachikoma - Ghost in the Shell

Tachikoma – Ghost in the Shell

He is a character from the Japanese series Ghost in the Shell, and was suggested by Michelle Aguilar – she’s quite a fan apparently.

He was fun, but hard work, to draw, and now I feel I need to watch some of the show.

If you have a droid you’d like to see me draw, feel free to comment.

Not a happy place to live…

Sometimes, not very often, a doodle becomes something surprising and cool. I started sketching the other day, with no particular aim in mind, and quickly roughed out the shape of a skull. A few minutes later, again with very little thought, a city began to grow…

I’m really pleased with what this little doodle became…

Skull City

Skull City