this northern boy

Illustrations for an imaginary age

Tag: books

Mortal Engines: Original Art Sale

If you’ve read my earlier post you’ll know that I worked on The Illustrated Guide to Mortal Engines during the summer. Now that the book is out, and the film has had its world premiere, I thought it would be good to make some of my original drawings available to buy.

The illustrations below all feature in the book, and are hand drawn in ink on cartridge paper. The size of the illustrations, and in some cases the paper varies as multiple illustrations were sometimes drawn on a single sheet. If you are interested in buying an illustration then you can message me on Twitter or Instagram, or drop me an email – rob [at] thisnorthernboy [dot] co [dot] uk

Please note: © Rob Turpin, 2018. These original artworks may not be reproduced in any way without the prior written permission of Scholastic Limited. All rights reserved.

I’m happy to answer any questions you have about the illustrations.

 

Mortal Engines

I was asked earlier this year to work on some illustrations for The Illustrated World of Mortal Engines. The book is a visual guide of the world of Traction Cities, created by the author Philip Reeve, and written by Philip and Jeremy Levett. If you don’t know about Traction Cities, you should definitely check out Philip’s books. They’re a fantastic mix of science fiction, fantasy and steampunk.

The Illustrated World has work from seven different artists (including me, which I have to keep pinching myself to believe), and has been beautifully put together by Jamie Gregory over at Scholastic UK. The book, underneath its dust cover, is a beautiful, vibrant orange, embossed with a lovely motif of gears and cogs.

Philip and Jeremy have written a great A-Z of the book, which gives you a very good idea of the content.

The other artists in the book are: Aedel Fakhrie, Ian McQue, Maxime Plasse, Philip Varbanov, David Wyatt, and Amir Zand. I’ve been a massive fan of Ian and Amir’s work for bloody ages, and the other artists work a revelation! To be in the same book as them all is a huge honour.

You can buy the book here.

 

All my illustrations are drawn with Copic SP Multiliners, Rotring Tikky, and Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

You can find prints of my work here

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Buy Me a Coffee at ko-fi.com

Quiet, but not idle.

Well, I’ve been a bit quiet lately, sorry. I haven’t been idle though, I’ve been busy working on a couple of illustration projects.

I’ve just completed a tutorial for 3DTotal publishing. They have a new book coming out – Beginner’s Guide to Sketching: Robots, Vehicles & Sci-fi Concepts, and I was delighted to be asked to contribute a walk through of how I’d illustrate a sci-fi habitat in my isometric style. The book isn’t out until February next year, but you can pre-order it here.

The project that’s kept me very busy for the last couple of months has been a real thrill. Jamie Gregory, head of design at Scholastic UK, asked me if I’d be happy to do some illustrations for a new visual guide to the world of Philip Reeve’s Mortal Engines books. The book is to be an encyclopaedia of all the incredible things to be found in Philip’s books – the first of which is being turned in to a film by Peter Jackson. Other artists working on the book include Ian McQue and Amir Zand – both artists whose work I absolutely adore.

If you haven’t read any of Philip’s books – you really should have a look.
The description for Mortal Engines –

In a dangerous future, huge motorized cities hunt, attack and fight each other for survival. As London pursues a small town, young apprentice Tom is flung out into the wastelands, where a terrifying cyborg begins to hunt him down. MORTAL ENGINES launched Philip Reeve’s brilliantly-imagined creation, the world of the Traction Era, where mobile cities fight for survival in a post-apocalyptic future.

You can buy Mortal Engines here.

You can pre-order the Illustrated World of Mortal Engines here.

IWOME

The trailer for the film looks pretty bloody brilliant too.

 

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Inspiration Monday

I’m going to start blogging every Monday about what inspires me as an illustrator. It could be about other artists, science, a book I’ve read. Whatever it is that makes me want to pick up a pencil and draw.

Recent book haul

I’m starting today with a very bookish blog post, featuring some titles I’ve got over the last month or so. In no particular order –

One. Lead Poisoning – The Pencil Art of Geof Darrow
Geof Darrow is a comic artist from the US, best known for his work on Hard Boiled and Shaolin Cowboy (see Two). Darrow’s work is incredibly richly detailed, it’s actually hard to describe just how much work he puts in to each image. He’s also an incredible draftsman, with a real knowledge of how things look – whether that’s people, zombies, machinery, creatures, or architecture – Geof’s drawings are always believable – no matter how unbelievable the subject. Lead Poisoning is a fantastic insight in to the world of Geof Darrow, just prepare to be astounded.

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Two. The Shaolin Cowboy: Shemp Buffet – by Geof Darrow.
The Shaolin Cowboy is a character created by Geof Darrow in 2005. The title character is an unnamed former Shaolin monk on the road with a bounty on his head. This book is almost without any words at all, and instead it’s pretty much one extended fight scene between the – dual chainsaw wielding – Shaolin Cowboy and a horde of zombies. When I say it’s an extended fight scene, I really mean that. There’s a 99 page section of monk vs zombie, with only a single word uttered. It is audacious and unrelenting and it only works because Darrow’s art is so spectacularly detailed and inventive. I’m not sure any other comic artist could have pulled it off. Colour on this book is by the supremely talented Dave Stewart – most famous for his work on Mike Mignola’s Hellboy, and lettering is by Peter Doherty – who I’m sure would admit didn’t have the trickiest job on this particular book.

Three. The Collector by Sergio Toppi.
I’m pretty new to Sergio Toppi, not really looking at any of his work until I was already in my forties. I would have loved his books as a teenager, but there’s no way I would have appreciated his art to the same degree. Sergio Toppi was a Milanese artist born in 1932, he began his career as an editorial and advertising illustrator, but really made his name as a comic artist beginning in the mid 60s.
The Collector is series of tales about a mysterious collector of artefacts from around the world. Set against the backdrop of 19th Century colonialism, the book’s locations include the American West, East Africa, Romania, New Zealand… Toppi creates every place and character with a masterly array of linework, textures, and patterns. His style is almost dizzying, a kind of controlled chaos – all structured with fantastic fundamental drawing skills. The thing about Toppi that continually blows me away though is his composition. He creates images from images. Negative space giving his illustrations light and freedom, which compliments his intricate pen work perfectly. Like Mike Mignola, Sergio Toppi is a master at using dark and light, super high contrast making his images even more dynamic. I don’t think he has an equal when it comes to composing or framing an image. The Collector is entirely illustrated in black and white, and it looks magnificent.

Four. Sharaz-De, Tales from the Arabian Nights – by Sergio Toppi.
Sergio Toppi’s take on the Arabian Nights. Whereas The Collector is entirely black and white, Sharaz-De is punctuated by beautiful colour sections. Toppi’s colours add another mysterious, magical layer to his linework with a palette of blues and greens or pinks and oranges. No where does the colour subsume the ink though. Toppi’s drawings still sing out from every page, his composition and inventive panelling brilliantly evident.

Five. I Wonder What I’m Thinking About – by Moose Allain.
Moose Allain is a twitter phenomenon. He’s also an incredibly prolific artist, cartoonist, writer, poet, and all around charming human. With a background in architecture Moose now creates wonderful worlds of cartoon figures and beasts, buildings and cities, all wrapped up in a sense of playfulness and wonder. His book – I Wonder What I’m Thinking About is a gorgeously produced (via Unbound) collection of his writing and art. The content varies from cartoons to watercolours, from poems to prose, from wordplay to jokes. It’s really quite a hard book to describe, so I just suggest you check out Moose on Twitter and then pick yourself up a copy.
Of all the books featured in this blog post, it’s Moose’s that most makes me want to pick up a pen or pencil and create something. There’s a love of life and a joy that shines through all of Moose’s work, and it’s infectious.

See you next Monday with another post of artistic inspiration.

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August blogfest – day 28

Everything I know about art (or did at the age of 15)

When I was a kid my mum enrolled on an Open University Course in the History of Art. One of the books that appeared on the bookshelves as a result was E.H. Gombrich’s The Story of Art. For a good eight or nine years, pretty much everything I knew about art came out of that book. My current copy is the third I’ve owned, and it’s still pretty indispensable.

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The Story of Art, first published in 1950 (and updated regularly since) is a fantastic introduction to the world of art, from prehistoric cave paintings to modern art, Gombrich discusses the development or art, painting, sculpture, and architecture. It really is an invaluable resource – even in the age of the internet, and if you want to learn something about art, particularly in a broad sense, it’s hard to beat.

For me the Story of Art was a real introduction to renaissance art – BerniniTitian, Bellini, Bosch, Van Eyck, Dürer, Holbein… The first time I saw many of the works of these artists was in the book, and it wasn’t until decades later I saw some of them in real life.

Years later when I was studying Art A Level, my teacher would read sections of The Story of Art to us, I think this was the history of art element of the A Level in its entirety. The thing was the teacher wasn’t really very good at pronunciation – so when she was reading sections on classical art, it was kind of hilarious. Heracles, became Herrackles, Hermes became Herms, Praxiteles became Pracsittles… Some things are just beyond the scope of Gombrich’s influence it seems.

 

August blogfest – day 8

In the post today I received  a copy of Jeffrey Alan Love‘s Notes from the Shadowed City.

What a book. If you don’t know Jeffrey’s work have a look at his website – he creates incredibly bold, silhouette images of beautifully textured ink, occasionally there’s a dash of red, but for the most part they are black and white.

The book is the travelogue of a young man in search of magical swords. 70 pages of gorgeous illustrations and hand-written text make this an absolute visual feast.

I’m glad I pre-ordered as it meant my copy came with an original illustration and a signed numbered print. I really can’t recommend this enough. Stunning.

August blogfest – day 6

Every week, usually at about 7.30pm on a Thursday, I Skype my friend – and fellow designer – Jon Elliman, and we record a podcast.

North v South, a podcast about but not about design, has now reached episode 24, and I bloody love doing the show with Jon. You can read a little about how and why we started the podcast here.

Episode 24 was probably my favourite yet. We had a book of the month – In Praise of Shadows by Jun Ichiro Tanizaki – that Jon and I both really enjoyed reading, and I think that comes through in our discussion. As always we end the show with a pie review – Jon and I both eating pies live on air, discussing their respective merits and scoring them out of ten, usually washed down with a beer. This week one of our listeners, Stuart Weston, sent me a pie to review. I say sent, actually his wife Kate hand delivered it! That’s the standard of listener we want more of!

If you’d like to listen to the show, it’s on iTunes and Soundcloud.

Every week (since episode 9) Jon and I take it in turns to design a new image for the new episode. Here are a few recent ones.

This week…

A little update. This week I’ve been working on tattoo commissions, fitting in a little freelance graphic design work on an island in the middle of the Thames, and drooling over the latest goodness from Aaron James Draplin and Field Notes Brand.

The tattoo design is for a guy in California who’d like a cutaway drawing of a lighthouse, featuring his young daughter looking out to sea from the top. Lots of fun drawing this.

If you don’t already know the work of Aaron James Draplin and the DDC go check out his website, and have a look on YouTube for some of Aaron’s videos. He’s a great designer who is absolutely bursting with enthusiasm and down-to-earth wisdom. His new book, Pretty Much Everything, is a joy to read, stuffed full of great content covering Aaron’s career to date. The cover is a beautiful textured, embossed design showcasing some of the many logos that have come out of the DDC over the years.

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I’ve been a fan of Field Notes for a long time, but I’ve only just subscribed to their quarterly editions. It’s a great way to make sure you get hold of the lovely limited editions notebooks they produce. When you subscribe you get a great little bonus with your first delivery – a couple of packs of their classic notebooks, a pencil, pen… Lovely.

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Build! A Knight’s Castle.

Earlier this year I worked on the illustrations for a children’s activity book, published by Ivy Press, all about castles. It was a huge amount of fun, and allowed me to work on a real variety of subjects – skulls, castles, knights, medieval soldiers, siege engines…

A huge thank you to all the staff at Ivy Press that worked on this with me, and of course to the author – Annalie Seaman, and to Charlie Simpson who created an amazing paper craft castle. I’m really pleased with how the book turned out!

The official description…

Think like an archaeologist with this fun paper-craft title! Readers are given information about how archaeologists uncover remains, and use secondary sources. They are then given visual and textual clues about the site of a medieval castle, which was the location of a sieged battle. The final part of the book contains the press-out pieces to recreate a paper model of the castle and the historic battle, complete with siege engines and defending and attacking forces. The reader must use their new-found knowledge of how the castle was laid out, and what siege engines looked like to figure out how to piece the paper scene together.

Build! A Knight’s Castle is available in bookshops and Amazon now.

Here are a few of my illustrations from the book, all drawn by hand.

Cover.

Cover.

Battle.

Battle.

Heraldry.

Heraldry.

Portcullis.

Portcullis.

Siege Tower.

Siege Tower.

Trebuchet.

Trebuchet.

Skull.

Skull.

Sketching from the imagination: Sci-fi

I’m lucky enough to be featured in 3DTotal’s new book – Sketching from the imagination: Sci-fi. It’s 320 pages of sketches, drawings and concept art from 49 amazing artists and illustrators (and me).

I’m sharing its pages with one of my absolute favourite artists – Ian McQue – which makes me feel a little bit dizzy.

If you order it before June 8th they’ll throw in a free sketchbook.

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