this northern boy

Illustrations for an imaginary age

Tag: art

Machineries of Joy

gubbins-i-colour

I started a little sketch lately. Nothing more than a doodle really. Started off as nothing on a sheet of copy paper. Wasn’t sure what it was going to be, if anything. But after a few minutes I had a bit of machinery. So I thought I’d carry on. Definitely channeling a little of Geof Darrow’s work on The Matrix, and Katsuhiro Otomo’s Akira, I decided that I’d try and fill the whole page with machinery and cables and wires.

It took a while. But I got there in the end. Here are a few process shots…

Once I’d finished the pencils, I decided I’d scan the illustration, blow it up and print it out, and then drop it on the lightbox for inking. I wanted to go a little larger when I inked it just so I could get a little more detail in, and to make sure the quality was good enough for a print for my store.

The final inked illustration looks like this…

Final-Inks

At the top of the page you can see the colour version I’m working on to be produced as a print.

If you’re interested in the materials I used in this piece…

Pentel GraphGear 1000 mechanical pencil
Daler Rowney Heavyweight cartridge paper
Copic SP Multiliner pens
A3 Minisun lightbox

 

You can also find prints of my work here

I also have a Patreon page

And you can find more of my work online…
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Commissions for 2019

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I’m now happily accepting a new round of illustration commissions for 2019. If you’ve ever wanted to own some original art – and like my work – now’s your chance.

Commissions

If you would like to buy an original drawing, email me at rob [at] thisnorthernboy [dot] co [dot] uk , and let me know what kind of thing you are looking for. While you can ask me to draw absolutely anything, it’s probably best to stick to subjects and themes that you’ve seen me produce already. I’m not saying I’d never draw a portrait of your cats, for instance, but it’s unlikely. Some subjects I love to draw are:

Isometric buildings
Robots
Astronauts
Spaceships
Imaginary places

What you’ll receive will be a black and white pen drawing, on good quality, 220gsm cartridge paper. If you would prefer a colour illustration – let me know and we can have a chat.

You can also request for the illustration to be landscape or portrait in orientation.

Any other requests – type of landscape, style of robot etc. can be made, but there’s no guarantee I’ll be able to take this into account. I know this sounds a little strict, but I only want to accept commissions that I’ll enjoy drawing right now, and in return you get a lovely surprise when you open your finished illustration.

What will this cost?

For an A5 (148 x 210mm) commission I charge £75 + post & packaging.
For an A4 (210 x 297mm) commission I charge £120 + post & packaging.
For an A3 (297 x 420mm) commission I charge £210 + post & packaging.
For an A2 (420 x 594mm) commission I charge £400 + post & packaging.

When you email me to request a commission, if you can include the address you’d like it shipped to, I’ll work out the cost of postage and let you know. If you’re happy with the overall cost I accept payment by PayPal.

When will you get your drawing?

I aim to complete and post all illustrations within one month of receiving payment.

 

PLEASE NOTE: This post is regarding private, personal commissions. If you want to discuss a commercial proposition – illustrations for a book, game, or anything else that you would be selling, then please get in touch directly.

 

You can also find prints of my work here

And you can find more of my work online…
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Buy Me a Coffee at ko-fi.com

Inktober 2018

It’s that time of year again where illustrators, artists, and other pen-and-ink wielding entities take part in Jake Parker‘s Inktober initiative.

Last year I only got as far as day eight. A combination of work, and my Inktober drawings being just too detailed and time-consuming meant that I couldn’t complete the project. I will come back to last year’s at some point though. I think Asteroid Belt Blues deserves an ending.

This year I’ve chosen British Folklore as my theme, and each day I’m drawing a creature or a character from some of the wonderfully weird tales we have on the British Isles. Many of the tales I’m drawing I’ve sourced from a couple of great books by Katherine Briggs – British Folk Tales and Legends, and The Fairies in Tradition and Literature. I started with the Lambton Worm, and today (day 18) I drew a Witch-Hare!

Below are all 16 illustrations from the first 17 days. Obviously doing a folklore theme there was no way I was doing anything on the 13th! Each illustration is drawn on A6 (105x148mm) cartridge paper, using Copic SP Multiliners and a Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

 

You can find prints of my work here

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The All Father

Odin-final-inks

I was recently asked to draw Odin, the Norse god, for a commission. After a few tweets back and forth, between myself and the buyer, it was decided that a head shot of Odin, featuring his raven familiars – Huginn and Muninn – would work best.

I decided I’d try and make this illustration a little more graphic in composition, so right from the beginning I wanted to try and incorporate some Norse carving.

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I’m really pleased with how the final illustration came out. I think the details, shadows and textures work really well. Tim, the chap who commissioned the illustration, was pretty pleased too – which is great, and always a relief.

Drawn, as usual, on A5 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

You can also find prints of my work here

And you can find more of my work online…
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Buy Me a Coffee at ko-fi.com

Available for Commissions

Instagram-Commission-Poster

I’m currently available for commissions, so if you’ve always wanted some original art now’s a great time to get in touch. Commissions start at £60 + postage, and I ship world wide. Whether you want a robot, a spaceship, a creature, an isometric building, a floating island, or something completely different, I’d love to work with you on a commission.

You can leave a comment here on my blog, or drop me an email – rob [at] thisnorthernboy [dot] co [dot] uk

You can also find prints of my work here

And you can find more of my work online…
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PRINTS!

Prints are now available of a selection of my illustrations. My good friend Jon Elliman has created a site – Ellipress – to produce and sell prints for artists and designers. I’m delighted to be the first illustrator to be involved.

Jon prints using Ultrachrome HD inks and archival quality, 100% cotton papers. The prints he produces look absolutely stunning – just as good as my originals!

We’ve launched with just over a dozen illustrations to choose from, at a few different sizes. There’s also a signed and numbered, limited edition of one of my favourites.

Head over to Ellipress and have a look. If there’s an illustration of mine that you like that we haven’t yet made available, just let us know.

Hillside Cityscape

I’ve done three or four of these illustrations now, each one a little different. Part rundown NYC, part Gotham. Drawn with Copic Multiliners and Rotring Tikky pens on Daler Rowney Cartridge paper.

Hillside Cityscape I

Hillside Cityscape I

Pencilling…

Pencilling…

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Finished pencils.

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Adding ink.

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Finished.

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Hillside Cityscape II.

 

You can find more of my work online…
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Inspiration Monday

I’m going to start blogging every Monday about what inspires me as an illustrator. It could be about other artists, science, a book I’ve read. Whatever it is that makes me want to pick up a pencil and draw.

Recent book haul

I’m starting today with a very bookish blog post, featuring some titles I’ve got over the last month or so. In no particular order –

One. Lead Poisoning – The Pencil Art of Geof Darrow
Geof Darrow is a comic artist from the US, best known for his work on Hard Boiled and Shaolin Cowboy (see Two). Darrow’s work is incredibly richly detailed, it’s actually hard to describe just how much work he puts in to each image. He’s also an incredible draftsman, with a real knowledge of how things look – whether that’s people, zombies, machinery, creatures, or architecture – Geof’s drawings are always believable – no matter how unbelievable the subject. Lead Poisoning is a fantastic insight in to the world of Geof Darrow, just prepare to be astounded.

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Two. The Shaolin Cowboy: Shemp Buffet – by Geof Darrow.
The Shaolin Cowboy is a character created by Geof Darrow in 2005. The title character is an unnamed former Shaolin monk on the road with a bounty on his head. This book is almost without any words at all, and instead it’s pretty much one extended fight scene between the – dual chainsaw wielding – Shaolin Cowboy and a horde of zombies. When I say it’s an extended fight scene, I really mean that. There’s a 99 page section of monk vs zombie, with only a single word uttered. It is audacious and unrelenting and it only works because Darrow’s art is so spectacularly detailed and inventive. I’m not sure any other comic artist could have pulled it off. Colour on this book is by the supremely talented Dave Stewart – most famous for his work on Mike Mignola’s Hellboy, and lettering is by Peter Doherty – who I’m sure would admit didn’t have the trickiest job on this particular book.

Three. The Collector by Sergio Toppi.
I’m pretty new to Sergio Toppi, not really looking at any of his work until I was already in my forties. I would have loved his books as a teenager, but there’s no way I would have appreciated his art to the same degree. Sergio Toppi was a Milanese artist born in 1932, he began his career as an editorial and advertising illustrator, but really made his name as a comic artist beginning in the mid 60s.
The Collector is series of tales about a mysterious collector of artefacts from around the world. Set against the backdrop of 19th Century colonialism, the book’s locations include the American West, East Africa, Romania, New Zealand… Toppi creates every place and character with a masterly array of linework, textures, and patterns. His style is almost dizzying, a kind of controlled chaos – all structured with fantastic fundamental drawing skills. The thing about Toppi that continually blows me away though is his composition. He creates images from images. Negative space giving his illustrations light and freedom, which compliments his intricate pen work perfectly. Like Mike Mignola, Sergio Toppi is a master at using dark and light, super high contrast making his images even more dynamic. I don’t think he has an equal when it comes to composing or framing an image. The Collector is entirely illustrated in black and white, and it looks magnificent.

Four. Sharaz-De, Tales from the Arabian Nights – by Sergio Toppi.
Sergio Toppi’s take on the Arabian Nights. Whereas The Collector is entirely black and white, Sharaz-De is punctuated by beautiful colour sections. Toppi’s colours add another mysterious, magical layer to his linework with a palette of blues and greens or pinks and oranges. No where does the colour subsume the ink though. Toppi’s drawings still sing out from every page, his composition and inventive panelling brilliantly evident.

Five. I Wonder What I’m Thinking About – by Moose Allain.
Moose Allain is a twitter phenomenon. He’s also an incredibly prolific artist, cartoonist, writer, poet, and all around charming human. With a background in architecture Moose now creates wonderful worlds of cartoon figures and beasts, buildings and cities, all wrapped up in a sense of playfulness and wonder. His book – I Wonder What I’m Thinking About is a gorgeously produced (via Unbound) collection of his writing and art. The content varies from cartoons to watercolours, from poems to prose, from wordplay to jokes. It’s really quite a hard book to describe, so I just suggest you check out Moose on Twitter and then pick yourself up a copy.
Of all the books featured in this blog post, it’s Moose’s that most makes me want to pick up a pen or pencil and create something. There’s a love of life and a joy that shines through all of Moose’s work, and it’s infectious.

See you next Monday with another post of artistic inspiration.

You can find more of my own work online…
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FAQs

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I get quite a lot of comments on my posts on social media, and often people are asking me the same questions, so I thought I may as well answer a few of them here.

“Where can I find more of your work?”

I post regularly on social media, so find more of my illustrations on –
Instagram
Facebook
Tumblr
Twitter
Artstation

“Do you have a Patreon?”

Yes I do. On my Patreon page I’ll be building more of my Weird Field World of spaceships and alien technology. I’ll regularly post sketches, finishes illustrations, maps and charts, and even some written fiction. Supporting me gives you access to unseen work and gives you the opportunity to buy original art before anyone else, and also the chance to get involved with the world building of my Weird Field universe.

“What pen do you use?”

This is the question I get asked more than any other, and I know other illustrators get it a lot too. The first thing to say is – it isn’t about the pen. Yes you might get a bit of a difference in quality of line from pen to pen, obviously a brush pen gets you a different look to a pigment liner, but the pen doesn’t make you any better at drawing. The only way to get better at drawing – is to draw.

However, if you’re interested in the geekery of pens:

Copic Multiliner – 0.03 to 0.7 nibs
Rotring Tikky – 0.3 to 0.7 nibs
Pentel Pocket Brush
Kuretake No8 Brush Pen
Stabilo Point 88

Blackwing 602 pencil
Tombow Mono100 pencil
Steadtler Tradition HB pencil
Rotring Tikky mechanical pencil
Lamy Scribble mechanical pencil

Platinum Carbon fountain pen
Kuretake Zig Manga dip pen

Uni Posca White pen
Sharpies

Other kit…
Minisun A3 Lightbox

Sumi Ink 60
Winsor & Newton Masking Fluid
Daler Rowney A4 Cartridge paper
Moleskine A5 Sketchbook

“Where did you learn to draw?”

I was always the kid that drew, from as far back as I remember I was always drawing. When I was a little kid I used to sit in an armchair at home with a bit of wood across the arms, like a desk. I’d sit there and draw spaceships and monsters and dinosaurs and dragons for hours. Throughout all my school years, despite studying art, I don’t really recall being taught anything at all. Even at college (studying for a graphic design degree) I don’t think I got much in the way of tutoring. After college I barely drew at all for twenty years, since then all my progress has been through practice, and being inspired by all the great artists doing great work out there. One thing that has definitely helped since I started drawing again, has been daily drawing projects. For a whole year I drew a robot every day, and I’ve also taken part in the Inktober initiative for the last few years. Committing to drawing every day, even if it’s only for five or ten minutes, is a fantastic way to improve.

“Where do you get your ideas?”

Where aren’t there ideas? If you read books or comics, if you watch TV or film, if you look out of your window at home or school or work – there are ideas everywhere. You just have to look and let everything soak in. I get inspired by all kinds of things – looking at industrial buildings from the window of my train commute, the weird old oak trees in the park near my house. Films and books are a big influence – I’ve always been a sci-fi nerd so in my work you can see bits of Ralph McQuarrie, Jim Burns, Carlos Ezquerra, Cam KennedyJean Giraud and Enki Bilal.

“Why don’t you do a book?”

I’m working on a book. Slowly. It’ll be written and illustrated by me. Currently it’s about 75% written, but I’ve barely started thinking about the illustrations yet. So, nothing will be out for a while. There will definitely be a book at some point. And it will be about trolls. I have worked on illustrations for a couple of other books –  Build! A Knight’s Castle, and The Illustrated World of Mortal Engines (of which you can read more about here).

You can also find my work in Beginners Guide to Sketching: Robots, Vehicles and Sci-Fi ConceptsSketching From The Imagination: Sci-Fi, and Issue 2 of the brilliant Graphite Magazine.

“Where can I buy your work?”

You can buy prints of my work here. My good friend Jon Elliman runs Ellipress and has an amazing eye for detail and makes sure my prints look great.

If you would like to own some original artwork drop me a message on Twitter, Instagram or Facebook and let me know what you are interested in. There’s a little more information here.

Buy Me a Coffee at ko-fi.com

Recent Commissions

 

I’m now happily accepting a new round of illustration commissions. If you’ve ever wanted to own some original art – and like my work – now’s your chance.

Commissions

If you would like to buy an original drawing, email me at rob [at] thisnorthernboy [dot] co [dot] uk , and you can request one of the following:

An isometric building
A robot
An Astronaut
A Spaceship
An imagined place
Something else entirely

What you’ll receive will be a black and white pen drawing, on an A4 or A5 sheet of good quality, 220gsm cartridge paper. If you would prefer a colour illustration – let me know and we can have a chat.

You can also request for the illustration to be landscape or portrait in orientation.

Any other requests – type of landscape, style of robot etc. can be made, but there’s no guarantee I’ll be able to take this into account. I know this sounds a little strict, but I only want to accept commissions that I’ll enjoy drawing right now, and in return you get a lovely surprise when you open your finished illustration.

What will this cost?

For an A5 (148 x 210mm) commission I charge £50 + post & packaging.
For an A4 (210 x 297mm) commission I charge £80 + post & packaging.

When you email me to request a commission, if you can include the address you’d like it shipped to, I’ll work out the cost of postage and let you know. If you’re happy with the overall cost I can accept payment by PayPal.

When will you get your drawing?

I’ll aim to complete and post all illustrations within three weeks of receiving payment.