Sorry for the lack of posts recently, I’ve been pretty busy balancing freelance design work with illustration, so haven’t had a lot of time for the blog.
I’ll try and post a little more regularly throughout the summer.
I wanted to keep the colour palette pretty muted, so just stuck to oranges and some grey tones.
Hope you like it!
If you’ve been following my blog for a while (or following me elsewhere on social media), you’ll know I love to draw spaceships. I always have enjoyed drawing everything to do with space, ever since I was a little kid, but in the last couple of years I’ve begun to build a little fleet of ships to inhabit my Asteroid Belt Blues universe.
I’ve managed to fill a few sketchbook pages with ships in the last few days, and I dare say there will be a lot more to come in the next days, weeks, and months.
If you like them you can buy them as postcards or posters over at my store.
It’s been a while since I blogged – work and holidays have both combined to keep me from doing so.
Over the last couple of months I’ve been working on getting some artwork ready to sell online as prints – should be ready to go in April – which is very exciting. I’ll be launching with five or six different illustrations, most of which will be available to buy at a couple of different sizes. When everything is confirmed I’ll post here about it.
I’ve also completed a couple of commissions and worked on some concept art for a couple of clients – I can’t share any of that just yet though.
For now, here are some of the sketches I’ve done over the past couple of months.
Jared is primarily self-taught, and he developed his precision and skill through the careful study of books as diverse as those pertaining to anatomy, art history and comics. Muralt is co-founder of BlackYard studio, a Swiss illustration and graphic design studio.
That’s the simple text about the artist Jared Muralt that is printed on the belly bands of his two new sketchbooks, it barely tells you a thing about how astonishingly good an illustrator Jared is.
I first saw his work on Instagram, beautifully drawn images of angler fish, assortments of characters in period costume, floating ocean liners, and squadrons of WWII bombers. That precision, mentioned in the text above, really is one of Jared’s traits, but it comes with huge amounts of charm, and character, and interest. There’s nothing cold about the precise way he draws at all.
It would be easy, as an aspiring illustrator, to be daunted when you see the work of someone as accomplished as Jared, and to simply say – “I’ll never be as good as that”and throw your pencils away, but Jared’s sketchbooks, and his Instagram feed, really are testament to the value of practice. He draws a lot. He draws from life, out in the countryside sketching the mountains and meadows of Switzerland, he draws character studies fastidiously, practising the details from every angle. Rather than be daunted and overwhelmed, you should be inspired and enriched by his work. Stimulated to grab a sketchbook and draw.
If you draw or illustrate for a living, or just as a hobby, you really should buy one of Jared’s books. The sketchbooks are amazing, and Hellship is a wonderful graphic novel. The End of Bon Voyage is for me the real star, a magical, poignant, wordless story with the most beautiful drawings you can imagine.
In Jared’s new sketchbooks there’s one image in particular that grabbed me, this drawing of a man, curiously and noirishly lit. He looks like one of the characters from Fritz Lang’s ‘M’. Fantastically unsettling.
High up in the clouds, buoyed by anti-grav generators, floats the shanty town of Cloudtop. Scratching a living from processing rare elements from the atmosphere, or providing weather data, a community of brave souls lives at 55,000ft. Engineered through black market gene therapies to be able to survive in the super thin atmosphere of the stratosphere.
More of me here…
Well, I almost forgot today, so this will be brief…
I’m working on an article for a new illustration magazine called Graphite at the moment. It’ll be a process type thing, showing how I work through a brief from initial thoughts and sketches to final, inked artwork. Today I finished the drawing stage so tomorrow it’ll be on to the inks.
Caffeine induced insomnia kept me awake until gone 3am last night, so today has been a bit of a blur. I don’t drink caffeine, but every now and again, if I need a bit of a kick when I’m busy, I’ll have a proper coffee. I always regret it later when I’m wide awake in those quiet, small hours of the night.
I did manage to draw a nice little robot today though.
I’ve just decided that my stack of identically black, and identically plain Moleskines needed a little organising. Only a little. I wrote vague contents description on the covers and spines, so that’ll help a bit when I’m trying to remember where I drew something.
I also made a little video of a leaf through one of those Moleskines…
The music is Drawn to the Blood, by Sufjan Stevens.
If you follow me on Instagram, or are a regular reader of this blog, you’ll know I have a thing for weird tentacled islands. There’s just something very cool about a seemingly idyllic little place – but underneath the ordinary facade there’s horror!
I did this sketch last night in my Moleskine using Rotring Tikky, Copic Multiliners and Kuretake No 8 brush pen, and there’s definitely a bit of influence from Notes from the Shadowed City – it’s a bit blacker and more angular than my typical stuff. As always, something like this is a lot of fun to draw.