this northern boy

Illustrations for an imaginary age

Tag: robots

Updates…

It’s been a while since I blogged – work and holidays have both combined to keep me from doing so.

Over the last couple of months I’ve been working on getting some artwork ready to sell online as prints – should be ready to go in April – which is very exciting. I’ll be launching with five or six different illustrations, most of which will be available to buy at a couple of different sizes. When everything is confirmed I’ll post here about it.

I’ve also completed a couple of commissions and worked on some concept art for a couple of clients – I can’t share any of that just yet though.

For now, here are some of the sketches I’ve done over the past couple of months.

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August blogfest – day 20

Tired.

Caffeine induced insomnia kept me awake until gone 3am last night, so today has been a bit of a blur. I don’t drink caffeine, but every now and again, if I need a bit of a kick when I’m busy, I’ll have a proper coffee. I always regret it later when I’m wide awake in those quiet, small hours of the night.

I did manage to draw a nice little robot today though.

IMG_7164

Little orange robot

Drawn in a Field Notes Brand notebook, with Copic Multiliner, Copic Ciao Marker, Kuretake No8 brush pen and a white Posca marker.

Commissions

Stilted-City

I’m now happily accepting a new round of illustration commissions. If you’ve ever wanted to own some original art – and like my work – now’s your chance.

Commissions

If you would like to buy an original drawing, email me at rob [at] thisnorthernboy [dot] co [dot] uk , and you can request one of the following:

A robot
An Astronaut
A Spaceship
An imagined place
Something else entirely

What you’ll receive will be a black and white pen drawing, on an A4 sheet of good quality, 220gsm cartridge paper. The artwork will be approximately 240mm x 160mm in size, centred on the paper so you can frame it easily if you’d like to. If you would prefer a colour illustration – let me know and we can have a chat.

You can also request for the illustration to be landscape or portrait in orientation.

Any other requests – type of landscape, style of robot etc. can be made, but there’s no guarantee I’ll be able to take this into account. I know this sounds a little strict, but I only want to accept commissions that I’ll enjoy drawing right now, and in return you get a lovely surprise when you open your finished illustration.

What will this cost?

I charge a flat rate of £60 including post and packaging for the UK, and £60 + post and packaging for the rest of the world.

When you email me to request a commission, if you can include the address you’d like it shipped to, I’ll work out the cost of postage and let you know. If you’re happy with the overall cost I can accept payment by PayPal.

When will you get your drawing?

I’ll aim to complete and post all illustrations within three weeks of receiving payment.

What might your commission look like?

Well, it could look a little like these…

New Commissions

I’m now happy to accept a new round of illustration commissions. Over the past few months I’ve completed over 40 commissions, so if you’d like some original, affordable art to hang on your wall, here’s how it works…

Commissions

If you would like to buy an original drawing, email me at rob [at] thisnorthernboy [dot] co [dot] uk , you can request one of the following:

A robot
A Spaceship
An imagined place

If there’s something in particular you’d like, that isn’t one of the above, just let me know – it might be something I’d be interested in drawing for you.

What you’ll receive will be a black and white pen drawing, on an A4 sheet of good quality, 200gsm cartridge paper. The artwork will be approximately 240mm x 160mm in size, centred on the paper so you can frame it easily if you’d like to.

You can also request for the illustration to be landscape or portrait in orientation.

Any other requests – type of landscape, style of robot etc. can be made, but there’s no guarantee I’ll be able to take this into account. I know this sounds a little strict, but I only want to accept commissions that I’ll enjoy drawing right now, and in return you get a lovely surprise when you open your finished illustration.

What will this cost?

I charge a flat rate of £60 including post and packaging for the UK, and £60 + post and packaging for the rest of the world.

When you email me to request a commission, if you can include the address you’d like it shipped to, I’ll work out the cost of postage and let you know. If you’re happy with the overall cost I can accept payment by PayPal.

When will you get your drawing?

I’ll aim to complete and post all illustrations within two weeks of receiving payment.

What might your commission look like?

Well, it could look a little like these…

Some recent commissions

I recently started taking commissions, on the themes of robots, spaceships or imaginary places. It’s been a pretty good response so far, and it’s been really enjoyable creating work to order – but on subjects that I love.

Here are a few recent illustrations…

Return of the Robots

If you’ve been following my blog for a while, or following me on Twitter, Tumblr or Instagram, you’ll know that between August 2013 and August 2014, I drew a robot a day for a whole year. It was quite daunting committing to a daily project of that length, but it was something I felt I had to do to get me in to the routine of drawing every day – a skill or habit that I’d need if I wanted to become an illustrator for a living. I think it achieved its purpose – I now get pretty restless if I don’t draw at all for a day, and I’m currently work on my first book illustration project.

I haven’t really drawn robots since I finished the Droid a Day adventure though, and to be honest, I’ve missed them.

Today I’ve given myself the day off from paying work to rustle up another droid, and I’m pretty pleased with the way he came out.

Droid V.366.0

Droid V.366.0

Initial sketch.

Initial sketch.

Final inks.

Final inks.

Tentacles

One of the recurring themes of my droids has to be tentacles. I don’t know why but I do love drawing a nice set of tentacles (no sniggering at the back). I quite like drawing octopus and squid too, so it’s not just droids.

There’s definitely a weird hybrid of jellyfish and octopus going on in most of these, with hints of The Matrix and The Empire Strikes Back.

 

The home straight…

I’m 355 days into my Droid A Day project. Further than, at times, I thought I’d ever get. Close enough to the finish that I’m thinking constantly about what I do when it’s over. Definitely not another daily drawing project that’s for sure (not straight away).

With just a few more droids to go I thought I’d post some of my recent favourite. Warning: there may be colour.

The Mechs of Mars

Sometimes, when I post my droid pictures on my Tumblr blog, I write a little accompanying text. Sometimes this is just a quick one line description of the droid, or how I’ve drawn it, but sometimes I write a description that hints at a future history of these droids.

Air Defence Drone

Air Defence Drone

Air Defence Drone.
Designed and built in ‘74 by Kinetic Energy Systems Inc., the A.D.D. first saw use in the defence of the Olbers way station on Ceres. Shipping with both an Atlas-class Railgun and a Sigma-rated Plasma Cannon, the A.D.D. is a very capable weapon. With an onboard A.I. of .08 Human Analog, the drones can be deployed and then forgotten on the battlefield as they calculate the best way to achieve their orders. Currently the onboard A.I.s have recorded only one psychotic failure [see History of Belt-Mars Conflict: Vol VI: Ch 8.1 Brodsky].

Or…

Heavy Compliance Unit.
Built by Hurricane Industries for Law Enforcement, Riot Control, Crowd Suppression and Compliance. Strong and agile, with a high category A.I., the H.C.U. is equipped with both lethal and non-lethal tactical weapons, including: Low Velocity Kinetics, Tasers, Sonic Cannon, Microwave Lasers and standard MKIV mobile Rail Gun.

And…

Martian Eddie.
Eddie was built as a general purpose droid in late ‘78 and was shipped to Mars that same year to work for the Terraforming Committee. After 8 years of hard work, Eddie was sold to the owner of an algae farm in the new northern ocean. The algae farmer didn’t see robot rights as important and didn’t treat Eddie with much care or attention. In early ‘90 tax officials visiting the farm found no trace of its original owner, discovering Eddie in charge of operations. The ensuing legal case saw Eddie evicted and from that point on his antipathy to human kind was fixed. During the next decade Eddie could be found at most of the major flare-ups between humans and robots. The last anyone saw of Eddie was during the Tharsis Rebellion of ‘08 where he was seen at the heart of the robot offensive, brandishing his favoured plasma cannon as the Phobos Space Elevator came crashing down.
Rumours of Eddie’s survival have persisted, even though it’s now nearly 30 years seen he was seen. These rumours have been strenuously denied by the Human government of Mars.

I love the vague, hinted at history of far future conflicts hinted at in these descriptions. I don’t think I’ll ever write all the connecting information, better to allow people to fill in the gaps themselves. I do have a rough framework of a timeline in my head, although I’m scared to write it down in case it ties me down to a particular set of events.

I like to draw the droid, and then just see what suggests itself. That way I can be surprised too.

Of Steel and Bone…

One of the many responses I had to my blog post A Crisis of Confidence was a very thoughtful one from Daniel Benneworth-Gray. One of Daniel’s many insightful points was that one way of getting over my frustration would be to invite people to tweet a micro-story for me to illustrate.

Obviously, the first person I asked was Daniel, and he didn’t disappoint…

Daniel's micro-story.

Daniel’s micro-story.

Working to someone else’s idea was liberating, and challenging. Luckily for me Mr Benneworth-Gray’s words are always damn fine and well considered, which made my job of illustrating so much easier.

As soon as I read the tweet I had a pretty clear idea of what I wanted to do. I had the idea of a normal family staring up at a huge giant robot, that was, in turn, staring right back at them. There was a definite ‘The Iron Man’ thing going on here (the book, not the film or the superhero).

The result of Daniel's micro-story

The result of Daniel’s micro-story

The point Daniel made, about the fact that I hadn’t been illustrating – just drawing, was right. Interpreting somebody else’s words and ideas is a completely different challenge to just opening a sketchbook and making something up. It’s easier in some ways, and much harder in others. It is very worthwhile, and even if I don’t take this approach with all my future robots (110 to go), I’ll definitely give it a go from time to time, especially if I’m in a rut.

Huge thanks to Daniel for the idea, advice and encouragement. If you aren’t already following him on Twitter, or Instagram, I suggest you rectify that immediately. His blog is always a joy to read too.