The Tower
An illustration based on the Guinigi Tower in Lucca, Italy.
Drawn with a 0.03 Copic Multiliner and a 0.3 Staedtler Pigment Liner in an A5 Moleskine sketchbook.
An illustration based on the Guinigi Tower in Lucca, Italy.
Drawn with a 0.03 Copic Multiliner and a 0.3 Staedtler Pigment Liner in an A5 Moleskine sketchbook.
Post-It notes have to be my most used medium for doodling, often while I’m at my day job, waiting for my Mac to finish doing something. They’re great because they are so disposable. Sketching in a Moleskine, or on a fresh sheet of beautiful Bristol Board can sometimes be inhibiting. Scrawling ideas and shapes on a Post-It or a scrap of paper can be liberating.
Inspired by Linda Thompson‘s song “Nine Stone Rig”…
I’ve been drawing standing stones. Part neolithic, part Lord of the Rings.
Finally finished and coloured an illustration that I started a few weeks ago. Vaguely inspired by the work of John Evelyn, Conrado Almada and Hayao Miyazaki, it’s one of those illustrations, that as I draw, takes on a little life of its own. I can’t help but wonder who lives there, what the lighthouse is for, what kind of ships need warning of rocks in the sky…?
I think there’s definitely a story to be told here. By somebody.
Inspired by the lighthouse, I thought I’d add some more…
There is something magical about creating a place or a world that previously only existed inside your own head. It’s impossible to draw (at least it is for me) an imaginary landscape without wondering about the people who inhabit it, or the history of it, or the flora and fauna that fill it.
Some of my landscapes are very much rooted in the real world, the lake district is never far from the tip of my pen, while some have only the loosest foundations here on earth.
Only one of my landscapes exists as is, Slater’s Bridge in Little Langdale in the Lake District. I really must get back there with a sketchbook. It’s an amazingly beautiful place.
People are very rare in my drawings, partly because I’m pretty terrible at drawing them, but partly because I want to be the person in the picture. I don’t want to share these places with anyone else. Extreme escapism for me would be stepping into one of my illustrations and exploring what’s beyond the edge of the page.
Bigger is better. Or so they say. Particularly in Texas I believe.
When it comes to my work, I’ve never been into ‘big’. My work tends to be small, tightly controlled, detailed – rather than expressive and sprawling. I’ve recently begun working much smaller though, as way of getting more ideas down on paper – rather than worrying too much about the finished product. Some of these little doodles will stay just that, but a few of them may become something else at a later date. Redrawn at a larger scale, details added, lines refined – all the while trying to keep the essence of what it was I liked about the doodle in the first place.
All the following drawings were done in pen, so no pencil or rubbing out, and were begun with almost no thought in mind as to what the aim was. In terms of scale, the largest of these little doodles is about 25mm high.
These were all drawn using a 0.1 or 0.2 Staedtler Pigment Liner, on bristol board.
It’s good fun drawing at this scale. There’s no room for obsessing over details, you just have to get in there and create some forms and hint at structure. They have bags of character at this scale too – the challenge will be to capture that if I work these up into full-scale illustrations.
Sometimes, not very often, a doodle becomes something surprising and cool. I started sketching the other day, with no particular aim in mind, and quickly roughed out the shape of a skull. A few minutes later, again with very little thought, a city began to grow…
I’m really pleased with what this little doodle became…
I’ve found myself doodling fishy things again. This time, it’s not just fish illustrations, but flying fishing boats too. Definitely inspired by the work of Ian McQue, I’m utterly obsessed by the thought of these floating ships – where do they live, who skippers them, what do they catch…?
There will definitely be more to come.
I had to include the latest fish illustration here too, one of my favourites so far.