this northern boy

Illustrations for an imaginary age

Tag: drawing

Machineries of Joy

gubbins-i-colour

I started a little sketch lately. Nothing more than a doodle really. Started off as nothing on a sheet of copy paper. Wasn’t sure what it was going to be, if anything. But after a few minutes I had a bit of machinery. So I thought I’d carry on. Definitely channeling a little of Geof Darrow’s work on The Matrix, and Katsuhiro Otomo’s Akira, I decided that I’d try and fill the whole page with machinery and cables and wires.

It took a while. But I got there in the end. Here are a few process shots…

Once I’d finished the pencils, I decided I’d scan the illustration, blow it up and print it out, and then drop it on the lightbox for inking. I wanted to go a little larger when I inked it just so I could get a little more detail in, and to make sure the quality was good enough for a print for my store.

The final inked illustration looks like this…

Final-Inks

At the top of the page you can see the colour version I’m working on to be produced as a print.

If you’re interested in the materials I used in this piece…

Pentel GraphGear 1000 mechanical pencil
Daler Rowney Heavyweight cartridge paper
Copic SP Multiliner pens
A3 Minisun lightbox

 

You can also find prints of my work here

I also have a Patreon page

And you can find more of my work online…
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Spaceship Drawing Time-lapse

I’m planning to do a lot more process videos this year. I’ll have to get a proper rig set up above my desk, rather than just using a GorillaPod.

 

You can also find prints of my work here

And you can find more of my work online…
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Buy Me a Coffee at ko-fi.com

Inktober for sale!

If you read my last post you’ll know I took part in this year’s Inktober project. Now the month is over, and I managed 25 of the 31 days, I’m making the illustrations available to buy.

Based on British folklore each drawing is a little over two inches square, on A6 (105mm x 148mm) paper. The illustrations are £50 each including UK postage (overseas is a little extra).

Have a look at the images below and if you’d like to buy one drop me an email – rob@thisnorthernboy.co.uk.

Each illustration is drawn with Copic SP Multiliners and a Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

You can find prints of my work here

And you can find more of my work online…
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Buy Me a Coffee at ko-fi.com

Inktober 2018

It’s that time of year again where illustrators, artists, and other pen-and-ink wielding entities take part in Jake Parker‘s Inktober initiative.

Last year I only got as far as day eight. A combination of work, and my Inktober drawings being just too detailed and time-consuming meant that I couldn’t complete the project. I will come back to last year’s at some point though. I think Asteroid Belt Blues deserves an ending.

This year I’ve chosen British Folklore as my theme, and each day I’m drawing a creature or a character from some of the wonderfully weird tales we have on the British Isles. Many of the tales I’m drawing I’ve sourced from a couple of great books by Katherine Briggs – British Folk Tales and Legends, and The Fairies in Tradition and Literature. I started with the Lambton Worm, and today (day 18) I drew a Witch-Hare!

Below are all 16 illustrations from the first 17 days. Obviously doing a folklore theme there was no way I was doing anything on the 13th! Each illustration is drawn on A6 (105x148mm) cartridge paper, using Copic SP Multiliners and a Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

 

You can find prints of my work here

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If I had a hammer…

I do love a good bit or Norse Mythology. Thor and Odin, Asgard and Midgard, Huginn and Muninn… So when Gareth asked me to illustrate Yggdrasil, the World Tree that connects the nine realms, I jumped at the chance.

I was really pleased how this turned out.

Yggdrasil

Drawn, as usual, on A4 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

You can also find prints of my work here

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The All Father

Odin-final-inks

I was recently asked to draw Odin, the Norse god, for a commission. After a few tweets back and forth, between myself and the buyer, it was decided that a head shot of Odin, featuring his raven familiars – Huginn and Muninn – would work best.

I decided I’d try and make this illustration a little more graphic in composition, so right from the beginning I wanted to try and incorporate some Norse carving.

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I’m really pleased with how the final illustration came out. I think the details, shadows and textures work really well. Tim, the chap who commissioned the illustration, was pretty pleased too – which is great, and always a relief.

Drawn, as usual, on A5 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

You can also find prints of my work here

And you can find more of my work online…
Twitter
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Buy Me a Coffee at ko-fi.com

Hillside Cityscape

I’ve done three or four of these illustrations now, each one a little different. Part rundown NYC, part Gotham. Drawn with Copic Multiliners and Rotring Tikky pens on Daler Rowney Cartridge paper.

Hillside Cityscape I

Hillside Cityscape I

Pencilling…

Pencilling…

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Finished pencils.

IMG_3302

Adding ink.

IMG_3311

Finished.

IMG_3559

Hillside Cityscape II.

 

You can find more of my work online…
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I drawed a dinosaur

I don’t often draw creatures. In fact I very rarely draw anything organic at all. Sometimes though, when I start scribbling it becomes a creature, or a person, or in this case – a dinosaur. I’m pretty sure it’s a dinosaur rather than a dragon, but don’t quote me on that.

Drawn with a Palomino Blackwing 602 and a Staedtler Mars Lumograph Black 6B.

Dinosaur

Dinosaur sketch

FAQs

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I get quite a lot of comments on my posts on social media, and often people are asking me the same questions, so I thought I may as well answer a few of them here.

“Where can I find more of your work?”

I post regularly on social media, so find more of my illustrations on –
Instagram
Facebook
Tumblr
Twitter
Artstation

“Do you have a Patreon?”

Yes I do. On my Patreon page I’ll be building more of my Weird Field World of spaceships and alien technology. I’ll regularly post sketches, finishes illustrations, maps and charts, and even some written fiction. Supporting me gives you access to unseen work and gives you the opportunity to buy original art before anyone else, and also the chance to get involved with the world building of my Weird Field universe.

“What pen do you use?”

This is the question I get asked more than any other, and I know other illustrators get it a lot too. The first thing to say is – it isn’t about the pen. Yes you might get a bit of a difference in quality of line from pen to pen, obviously a brush pen gets you a different look to a pigment liner, but the pen doesn’t make you any better at drawing. The only way to get better at drawing – is to draw.

However, if you’re interested in the geekery of pens:

Copic Multiliner – 0.03 to 0.7 nibs
Rotring Tikky – 0.3 to 0.7 nibs
Pentel Pocket Brush
Kuretake No8 Brush Pen
Stabilo Point 88

Blackwing 602 pencil
Tombow Mono100 pencil
Steadtler Tradition HB pencil
Rotring Tikky mechanical pencil
Lamy Scribble mechanical pencil

Platinum Carbon fountain pen
Kuretake Zig Manga dip pen

Uni Posca White pen
Sharpies

Other kit…
Minisun A3 Lightbox

Sumi Ink 60
Winsor & Newton Masking Fluid
Daler Rowney A4 Cartridge paper
Moleskine A5 Sketchbook

“Where did you learn to draw?”

I was always the kid that drew, from as far back as I remember I was always drawing. When I was a little kid I used to sit in an armchair at home with a bit of wood across the arms, like a desk. I’d sit there and draw spaceships and monsters and dinosaurs and dragons for hours. Throughout all my school years, despite studying art, I don’t really recall being taught anything at all. Even at college (studying for a graphic design degree) I don’t think I got much in the way of tutoring. After college I barely drew at all for twenty years, since then all my progress has been through practice, and being inspired by all the great artists doing great work out there. One thing that has definitely helped since I started drawing again, has been daily drawing projects. For a whole year I drew a robot every day, and I’ve also taken part in the Inktober initiative for the last few years. Committing to drawing every day, even if it’s only for five or ten minutes, is a fantastic way to improve.

“Where do you get your ideas?”

Where aren’t there ideas? If you read books or comics, if you watch TV or film, if you look out of your window at home or school or work – there are ideas everywhere. You just have to look and let everything soak in. I get inspired by all kinds of things – looking at industrial buildings from the window of my train commute, the weird old oak trees in the park near my house. Films and books are a big influence – I’ve always been a sci-fi nerd so in my work you can see bits of Ralph McQuarrie, Jim Burns, Carlos Ezquerra, Cam KennedyJean Giraud and Enki Bilal.

“Why don’t you do a book?”

I’m working on a book. Slowly. It’ll be written and illustrated by me. Currently it’s about 75% written, but I’ve barely started thinking about the illustrations yet. So, nothing will be out for a while. There will definitely be a book at some point. And it will be about trolls. I have worked on illustrations for a couple of other books –  Build! A Knight’s Castle, and The Illustrated World of Mortal Engines (of which you can read more about here).

You can also find my work in Beginners Guide to Sketching: Robots, Vehicles and Sci-Fi ConceptsSketching From The Imagination: Sci-Fi, and Issue 2 of the brilliant Graphite Magazine.

“Where can I buy your work?”

You can buy prints of my work here. My good friend Jon Elliman runs Ellipress and has an amazing eye for detail and makes sure my prints look great.

If you would like to own some original artwork drop me a message on Twitter, Instagram or Facebook and let me know what you are interested in. There’s a little more information here.

Buy Me a Coffee at ko-fi.com

Recent Commissions

 

I’m now happily accepting a new round of illustration commissions. If you’ve ever wanted to own some original art – and like my work – now’s your chance.

Commissions

If you would like to buy an original drawing, email me at rob [at] thisnorthernboy [dot] co [dot] uk , and you can request one of the following:

An isometric building
A robot
An Astronaut
A Spaceship
An imagined place
Something else entirely

What you’ll receive will be a black and white pen drawing, on an A4 or A5 sheet of good quality, 220gsm cartridge paper. If you would prefer a colour illustration – let me know and we can have a chat.

You can also request for the illustration to be landscape or portrait in orientation.

Any other requests – type of landscape, style of robot etc. can be made, but there’s no guarantee I’ll be able to take this into account. I know this sounds a little strict, but I only want to accept commissions that I’ll enjoy drawing right now, and in return you get a lovely surprise when you open your finished illustration.

What will this cost?

For an A5 (148 x 210mm) commission I charge £50 + post & packaging.
For an A4 (210 x 297mm) commission I charge £80 + post & packaging.

When you email me to request a commission, if you can include the address you’d like it shipped to, I’ll work out the cost of postage and let you know. If you’re happy with the overall cost I can accept payment by PayPal.

When will you get your drawing?

I’ll aim to complete and post all illustrations within three weeks of receiving payment.