this northern boy

Illustrations for an imaginary age

Tag: doodles

The queer worm i’ tha well

I woke up a few mornings ago with a vague thought in my head about a dragon coiled around a hill, and I thought it would make a fun illustration. I knew it was a folk story from England but couldn’t recall anymore. As soon as I was at my desk a quick search on wikipedia filled in the rest.

The Lambton Worm is a story from the northeast of England about young John Lambton who skips church one day to go fishing. He catches a lamprey, but can’t be bothered to carry it home so he throws it down a well. Years later John returns from the crusades to find the lamprey has become a monster terrorising his father’s estate. The worm is now so large it can wrap itself seven times around the nearby Penshaw Hill. With the advice of a witch, John Lambton eventually slays the worm, but at a terrible price.

I love English folk tales, so I started to sketch out some ideas of how this worm might look. In the song the worm…

An’ grewed an aaful size;
He’d greet big teeth, a greet big gob,
An greet big goggly eyes.

…so I had something to go on. I wanted to keep something of the lamprey about the creature too, so it was definitely going to be eel-like with the distinctive lamprey gill pores along its side. My first sketches weren’t promising though.

A very poor drawing

Lambton Worm initial sketch.

I decided that rather than try to depict the entire beast, in a fight with John Lambton, or coiled around Penshaw Hill, I’d use a more graphic composition.

A small thumbnail sketch of the worm

A more promising composition

Happy with this, and with the more stylised version of the worm, I worked on a detailed pen drawing. Even though there are lots of straight lines, I shy away from using a ruler as it just gives too sharp a line. Drawing freehand creates a bit more character, and with a bit of practice you can do pretty well without the ruler. The patterned background allows the worm itself to stand out, ready for colour.

B&W version in pen

Finished pen version ready for colour.

Colouring the worm was reasonably simple using Photoshop. The colour palette was always going to be a dark aqua-ish background with a much more vivid worm. The shading and patterns were built up layer by layer, about 30 layers in total, the eye alone having over a dozen layers.

The Lambton Worm, in bright greens with a big goggly eye

The final illustration.

I’m pleased with the final result, and I think it’ll be the first in a series of three or four illustrations of English folk tales. Next, either Jack in Irons, Recdcap, or Peg Pawler!

Big Fish, Small Ship

I have a thing about drawing fish. I’m not afraid to admit it. It’s not my fault, it’s all Ian Miller‘s fault. When I was a kid I loved looking at the illustrations he’d done for comics and graphic novels, but it was his work in a book called The Guide To Fantasy Art Techniques that really got my attention.

The book featured eight fantasy or science fiction artists and illustrators, showing some of their work and getting an insight into how they went about producing these amazing images.

The chapter on Ian Miller had a profound effect on my drawings for years to come. His work is described in the book…

Delicacy of line and intricacy of detail typically characterise Ian Miller’s work, though his subject matter and technique often vary greatly. Equally at home with complex machinery or living creatures of various guises, his illustrations range from loose figure sketches in pencil and charcoal to pen and ink drawings of complex artefacts, twisted trees or winged insects.

Detailed line drawing of an imaginary fish

One of Ian Miller’s beautiful illustrations

Armed with an expensive handful of Rotring pens I set about mimicking Ian Miller’s style. I drew insects, fish, even a self portrait for college in his super-detailed and nightmarish style. Eventually my work became more personal, but I was left with a love of drawing fish and deep-sea creatures.

The picture here is from my time at art college in Cumbria. We were told by an illustration tutor that it wasn’t possible to produce a decent illustration using Rotring pens, and that real illustrators used dip or quill pens. Well, that was a challenge right there, so using nothing but a couple of those lovely burgundy Rapidographs I drew the Big Fish, Small Ship. Eighteen years later I’m still happy that it’s a decent bit of work. Although, for some reason I never wrote the title in the box I’d left for it.

A pen and ink drawing of a giant fish about to devour a ship.

Big Fish, Small Ship. My response to a challenge by a college tutor.

Building a city…

A few days ago I was idly doodling, probably while I was supposed to be doing something else, and I ended up with the beginnings of a medieval town. I worked on it for a couple more hours, and was pretty pleased. It’s wonky as hell, but it’s interesting I think.

A sketch of a city and castle

A very wonky doodle

So I liked this, but it really was a bit slap-dash. So I decided to have another go at it, taking a bit more care and time. Over the next few days the drawing progressed…

I think it manages to keep the same feel as the first sketch, but it’s better balanced and more considered. I think maybe an extra layer of buildings could have worked, maybe next time.

The last thing I did was to have a go at colouring it. I’ve never used photoshop to colour one of my sketches before, so this was a bit hit and miss. I’m sure I went about it in an entirely inefficient way, but the result was OK. I like the colour palette, I’d like to get more texture into the next one though.

A coloured illustration of a city and castle

The final (for now) coloured illustration

So that’s The City & The Castle complete.

A place to doodle

I’ve been drawing pretty much all my life, but I’ve never really done anything with it. As a graphic designer I occasionally have to sketch a concept and very rarely I might do an illustration for a client. But those occasions are few and far between.

That means that generally nobody sees my doodles and sketches, and it’s probably why I don’t draw as often as I should/like, which is why I’m starting a blog of my work. Hopefully it’ll act as a catalyst for me to draw an awful lot more, and by drawing more I hope to get better at it. If I get better at it, then maybe people will enjoy having a peek at it every now and again.

In the future, if things go to plan, the drawings that feature on this blog might become something else, or part of something else, or they might just spur me on to create something more substantial. What that might be I don’t really know.

Even if this all comes to nothing, at least I’ll still be drawing.