this northern boy

Illustrations for an imaginary age

Category: film

Mortal Engines: Original Art Sale

If you’ve read my earlier post you’ll know that I worked on The Illustrated Guide to Mortal Engines during the summer. Now that the book is out, and the film has had its world premiere, I thought it would be good to make some of my original drawings available to buy.

The illustrations below all feature in the book, and are hand drawn in ink on cartridge paper. The size of the illustrations, and in some cases the paper varies as multiple illustrations were sometimes drawn on a single sheet. If you are interested in buying an illustration then you can message me on Twitter or Instagram, or drop me an email – rob [at] thisnorthernboy [dot] co [dot] uk

Please note: © Rob Turpin, 2018. These original artworks may not be reproduced in any way without the prior written permission of Scholastic Limited. All rights reserved.

I’m happy to answer any questions you have about the illustrations.

 

Inspiration Tuesday

Well, blogging every Monday didn’t last long. Anyway, here’s a Tuesday dose of inspiration.

The Thing

The Thing film poster by Studio Ronin

The art of Christopher Shy and Studio Ronin.
I’m completely new to the work of Shy and Ronin, and I can’t believe it’s escaped me for so long. I must have seen some of their film posters at some point (and I would definitely have loved them), but apart from that I’m completely ignorant.

From the website of Studio Ronin

CARVE YOUR OWN PATH
Created in 1994, Studio Ronin produced its own unique blend of design and concepts. Under the direction of Christopher Shy, Studio Ronin created its own
in-house effects studio, and began working in film building miniatures, producing concept art as well as costume design, and visual design. In 2000 Studio Ronin
began its most ambitious project of producing its own intellectual properties, starting with Silent Leaves.
Publishing only graphic novels, Christopher Shy soon set a certain tone to the work. “No single issues, only complete books, we do them our way, and we run it
like a book company.” Silent Leaves became Studio Ronin’s first book, followed by Man To Leaves, and with Michael Easton, the acclaimed Soul Stealer trilogy.
Other books include Pathfinder, which was made into a film; Ascend with Keith Arem; Good Apoll:; I am Burning Star IV for Coheed and Cambria, (Studio Ronin
completed stage design for the band that following year); Silent Leaves Exceptions To Life; Dead Speed; and City On The Edge of Sleep. In 2010, Christopher Shy
and Studio Ronin completed Deadspace: Salvage.
In 2004 Studio Ronin gave its first large scale gallery exhibition of Christopher Shy’s tempera originals, some over 8 feet tall. The paintings were shown in Chicago
at Echo Gallery, and the exhibition was held over for one year. Christopher Shy’s work is now on permanant display in Chicago at Gallery Provacateur.
In 2006 Studio Ronin began working in advertising. Clients include Nike, Harley, Mitsubishi and others. Its imagery was “fresh, dark, and daring.” Film posters
followed, as well as print ads – all taken in a different approach while continuing to write, create, and publish its own brand of IP. In 2008, Studio Ronin licensing
was born, and Christopher Shy’s images were reproduced under his careful direction on skateboards, snowboards, t-shirts, and jackets. Christopher Shy accepted
an award in Italy for Artistic Excellence in 2010. In 2011, Soul Stealer was named book of the year.
Studio Ronin has carved its own path – creating an image of what an independent art studio can be, and redefined the doors that should be open for the small,
masterless studio. A unique vision to the work of both the entertainment world, and fine art.

Carving your own path should really be the goal of any artist or illustrator, but it’s easy to lose sight of that. Studio Ronin and Christopher Shy are a beacon in that regard. Have a look at their output, then go carve your own path.

Most mainstream film posters follow a very defined route, photo montages of the big stars, not doing anything different out of fear of not getting the marketing ‘right’. Studio Ronin take a completely different route creating beautifully painterly images that evoke the essence of the film. Beautiful work.

 

You can find more of my own work online…
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Horror

A couple of recent sketches, a little different to my usual stuff. A pencil sketch of H.P. Lovecraft – with added tentacle, and a pen drawing of my version of Frankenstein’s monster.

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H.P. Lovecraft

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Frankenstein’s monster

Line Signal

My friend John Panton makes fantastic short films under the banner of Meat Bingo (best to ask him about the name).

His latest work is a perfect seven and a bit minutes of eerie film-making, set amongst the woods and mists of southwest England. It’s well worth watching – and then you should definitely check out the rest of his films.

<p><a href=”https://vimeo.com/122031335″>LINE SIGNAL – Short Film</a> from <a href=”https://vimeo.com/meatbingo”>Meat Bingo</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>