this northern boy

Illustrations for an imaginary age

Category: art

Inktober 2018

It’s that time of year again where illustrators, artists, and other pen-and-ink wielding entities take part in Jake Parker‘s Inktober initiative.

Last year I only got as far as day eight. A combination of work, and my Inktober drawings being just too detailed and time-consuming meant that I couldn’t complete the project. I will come back to last year’s at some point though. I think Asteroid Belt Blues deserves an ending.

This year I’ve chosen British Folklore as my theme, and each day I’m drawing a creature or a character from some of the wonderfully weird tales we have on the British Isles. Many of the tales I’m drawing I’ve sourced from a couple of great books by Katherine Briggs – British Folk Tales and Legends, and The Fairies in Tradition and Literature. I started with the Lambton Worm, and today (day 18) I drew a Witch-Hare!

Below are all 16 illustrations from the first 17 days. Obviously doing a folklore theme there was no way I was doing anything on the 13th! Each illustration is drawn on A6 (105x148mm) cartridge paper, using Copic SP Multiliners and a Kuretake No.8 Brush Pen. Initial sketches are done with Palomino Blackwings and a Pentel Graphgear Mechanical Pencil.

 

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If I had a hammer…

I do love a good bit or Norse Mythology. Thor and Odin, Asgard and Midgard, Huginn and Muninn… So when Gareth asked me to illustrate Yggdrasil, the World Tree that connects the nine realms, I jumped at the chance.

I was really pleased how this turned out.

Yggdrasil

Drawn, as usual, on A4 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

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Sketchbook Spaceships

If you’ve been following my blog for a while (or following me elsewhere on social media), you’ll know I love to draw spaceships. I always have enjoyed drawing everything to do with space, ever since I was a little kid, but in the last couple of years I’ve begun to build a little fleet of ships to inhabit my Asteroid Belt Blues universe.

I’ve managed to fill a few sketchbook pages with ships in the last few days, and I dare say there will be a lot more to come in the next days, weeks, and months.

Pretty much all of them are drawn with Copic Sp Multiliners in a Moleskine sketchbook. Colour, as always, is added with Copic Ciao Markers.

If you like them you can buy them as postcards or posters over at my store.

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The All Father

Odin-final-inks

I was recently asked to draw Odin, the Norse god, for a commission. After a few tweets back and forth, between myself and the buyer, it was decided that a head shot of Odin, featuring his raven familiars – Huginn and Muninn – would work best.

I decided I’d try and make this illustration a little more graphic in composition, so right from the beginning I wanted to try and incorporate some Norse carving.

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I’m really pleased with how the final illustration came out. I think the details, shadows and textures work really well. Tim, the chap who commissioned the illustration, was pretty pleased too – which is great, and always a relief.

Drawn, as usual, on A5 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

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An Ent of Fangorn Forest

Ent-Final

I’ve just started re-reading Tolkien‘s Lord of the Rings again – partly just because it’s brilliant and I always enjoy it, but also because myself and Jon Elliman are making a feature of it on our weekly (mostly) podcast – North v South.

The moment I started thinking about reading the book again, I had the urge to start drawing some of the creatures from it. I started with one of my favourite Tolkien creations – an Ent.

Described in the books as…

A large Man-like, almost Troll-like, figure, at least fourteen foot high, very sturdy, with a tall head, and hardly any neck. Whether it was clad in stuff like green and grey bark, or whether that was its hide, was difficult to say. At any rate the arms, at a short distance from the trunk, were not wrinkled, but covered with a brown smooth skin. The large feet had seven toes each. The lower part of the long face was covered with a sweeping grey beard, bushy, almost twiggy at the roots, thin and mossy at the ends. But at the moment the hobbits noted little but the eyes. These deep eyes were now surveying them, slow and solemn, but very penetrating.

They are lots of fun to draw. Trying to convey all that texture and age is a really nice challenge.

 

 

Which Tolkien creature should I draw next?

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Available for Commissions

Instagram-Commission-Poster

I’m currently available for commissions, so if you’ve always wanted some original art now’s a great time to get in touch. Commissions start at £60 + postage, and I ship world wide. Whether you want a robot, a spaceship, a creature, an isometric building, a floating island, or something completely different, I’d love to work with you on a commission.

You can leave a comment here on my blog, or drop me an email – rob [at] thisnorthernboy [dot] co [dot] uk

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Creatures

Happy New Year everyone. I hope you all had a good festive break. 

I’m starting 2018 with something a little different for me. Most of the time I draw inanimate objects, whether those are buildings or spaceships, and very rarely anything organic or living. So this year, in an effort to improve my drawing skills, I’m going to draw a series of creatures from fiction or myths.

I’ve started with a creature that I’ve started to draw a few times in the past, but which has always turned out terrible. This time, while doodling with no real end purpose in mind, it came out pretty well.

Cthulhu is a God from the books of H.P. Lovecraft. Described by Lovecraft as “A monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind.”  I’ve skipped the body completely with my drawing, and just shown the head and wings, this is the approach I’ll take with all (most?) of the creatures I’m going to draw.

 

Cthulhu-Final

 

The second creature is the Faun from Guillermo Del Toro‘s film Pan’s Labyrinth. I love this creature design and it was a lot of fun to draw.

 

Faun-Final

 

The third is a Wendigo, a cannibalistic monster from the folklore of the Algonquian speaking peoples of North America.

 

Wendigo-Final

All of these were drawn on A5 Daler Rowney Smooth – Heavyweight cartridge paper, using Copic SP Multiliners and a Rotring Tikky.

Any suggestions for what creatures should be next?

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A new fleet of Spaceships

Recently I’ve been filling pages and pages of my Moleskine sketchbook with lots of tiny spaceships. I’ve drawn them, mostly, on my lunch hours while working in Shoreditch. Often just scribbling away with a Copic Multiliner pen, and then using markers to add some colour later. I spent a couple of hours scanning two dozen of the pages and cleaning up the sketches for a new poster and a set of postcards that you can buy over at Ellipress

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Deep-Space-Fleet-Mock-Up

PRINTS!

Prints are now available of a selection of my illustrations. My good friend Jon Elliman has created a site – Ellipress – to produce and sell prints for artists and designers. I’m delighted to be the first illustrator to be involved.

Jon prints using Ultrachrome HD inks and archival quality, 100% cotton papers. The prints he produces look absolutely stunning – just as good as my originals!

We’ve launched with just over a dozen illustrations to choose from, at a few different sizes. There’s also a signed and numbered, limited edition of one of my favourites.

Head over to Ellipress and have a look. If there’s an illustration of mine that you like that we haven’t yet made available, just let us know.

Hillside Cityscape

I’ve done three or four of these illustrations now, each one a little different. Part rundown NYC, part Gotham. Drawn with Copic Multiliners and Rotring Tikky pens on Daler Rowney Cartridge paper.

Hillside Cityscape I

Hillside Cityscape I

Pencilling…

Pencilling…

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Finished pencils.

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Adding ink.

IMG_3311

Finished.

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Hillside Cityscape II.

 

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