Jared is primarily self-taught, and he developed his precision and skill through the careful study of books as diverse as those pertaining to anatomy, art history and comics. Muralt is co-founder of BlackYard studio, a Swiss illustration and graphic design studio.
That’s the simple text about the artist Jared Muralt that is printed on the belly bands of his two new sketchbooks, it barely tells you a thing about how astonishingly good an illustrator Jared is.
I first saw his work on Instagram, beautifully drawn images of angler fish, assortments of characters in period costume, floating ocean liners, and squadrons of WWII bombers. That precision, mentioned in the text above, really is one of Jared’s traits, but it comes with huge amounts of charm, and character, and interest. There’s nothing cold about the precise way he draws at all.
It would be easy, as an aspiring illustrator, to be daunted when you see the work of someone as accomplished as Jared, and to simply say – “I’ll never be as good as that”and throw your pencils away, but Jared’s sketchbooks, and his Instagram feed, really are testament to the value of practice. He draws a lot. He draws from life, out in the countryside sketching the mountains and meadows of Switzerland, he draws character studies fastidiously, practising the details from every angle. Rather than be daunted and overwhelmed, you should be inspired and enriched by his work. Stimulated to grab a sketchbook and draw.
If you draw or illustrate for a living, or just as a hobby, you really should buy one of Jared’s books. The sketchbooks are amazing, and Hellship is a wonderful graphic novel. The End of Bon Voyage is for me the real star, a magical, poignant, wordless story with the most beautiful drawings you can imagine.
In Jared’s new sketchbooks there’s one image in particular that grabbed me, this drawing of a man, curiously and noirishly lit. He looks like one of the characters from Fritz Lang’s ‘M’. Fantastically unsettling.